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I think I told you about a kid I knew in the army — he was from Oklahoma, but I met him at Fort Leonard Wood, which is down in the Ozarks. Now, I was a pretty good shot, but this kid was a phenom. I had a sergeant there at Fort Leonard Wood, and he was such a perfect and complete sort of sergeant that I don’t remember his name. Anyway, he’d heard about snipers in the marines. He wanted to toughen Lyman and me up, so one day, he took us down to a river that ran through a remote part of the base, and he got us to strip down, carry our weapons into the river, and look out for game in the trees or on the banks. We were supposed to go along for an hour — he would meet us downstream and see what we got. The key was to move as quietly as possible. Lyman thought he was going to shoot himself some catfish, maybe, and he did get a beaver, and I got a raccoon on the shore. Lyman, who was very observant, then pointed out that there was a cottonmouth swimming right along with us, about ten feet away. Now, I’d seen a cottonmouth or two, and they usually ran maybe three feet, but this one was nearly five feet long and as big around as your arm — an old fellow and wily. I thought I would shoot it, but Lyman wanted to watch it, so we slowed down and kept our eyes open. Pretty soon, the snake crossed our path and slithered up on the right-hand shore, where it did something I never saw a snake do before, it slithered over to the carcass of a deer and began to eat it. We didn’t kill the snake, in the end — while we were watching the snake feed, Lyman noticed a bobcat peer out at the snake and the deer from behind a tree. We stood in the water and waited, and after a few moments, the bobcat eased out, his teeth bared and his hackles raised. I’m guessing he thought he could scare the snake away from what might have been his kill. But as soon as it emerged and slid two steps toward the deer, Lyman pulled the trigger and shot the bobcat. The snake coiled up quick and started looking around and opening his mouth — that’s why it’s called a cottonmouth, it’s got white inside its mouth. Lyman, I know, could have shot it in the head. But he didn’t, and he wouldn’t let me. I guess he sympathized with it, and respected it for getting so big and old. Lyman was the soldier who stepped on a mine in Italy — it took us four hours to carry him down the mountain. He lost his leg in the end, but he came home, which many others did not.

Got to go,

Uncle Frank

IN THE SPRING, almost six months after the funeral, Lillian drove from McLean to Denby to clean out the house. She could see concern flicker across their features as she said to Arthur, and then to Debbie (who was four months’ pregnant), that she didn’t want any company — such a long trip, was it safe, where would she stop — but she shook her head decisively. She had already written Minnie, Lois, and Claire, using the words “Don’t touch anything,” and they had not, though Claire wrote back, “It is such a black hole of stuff, are you sure?”

“Don’t touch anything.”

But it was a way of preserving the house for a few months, because Joe and Frank were clear: the house had to come down. Two of the basement walls were bowing inward, and the TV room was separating from the main structure. The stairs had never been up to code — like climbing a ladder, how Walter, or Rosanna at her age, had…

“Don’t touch anything.”

So they didn’t touch anything, and though it was dusk and a long way from South Bend, where she had spent the previous night, Lillian drove into the old driveway and parked. She had forgotten the house would be dark; Joe had, of course, shut off the electricity. She was a little struck by its air of being a solid object. Joe had made sure that nothing happened to it. Wasn’t that a frightening thing from her childhood in the Depression — abandoned houses with the windows smashed, and then the birds got in and built nests, and the wasps and bees. But Joe would never allow anything like that.

She opened her car door and put her foot in a rut in the driveway. Running along the east end of the house was the bed of daffodils, now finished, and among them the first green spears of tulip leaves thrusting upward. Back in Virginia, they were already through tulips, and even the irises were tall, though they hadn’t blossomed. Magnolias. Her mother had never gotten a magnolia tree to grow here. She got out of the car and closed the door and waited in the silence for a few more seconds, though what she was waiting for, she had no idea.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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