He grabbed her by her hair and heaved her. She went reeling, feathers flying out of her headdress. She struck the rocking chair and knocked it over.
He looked at me with red, streaming eyes. He was drunk. He was crying. Snot hung from his nostrils and spit slicked his chin. His face was a cramp of rage, woe, and bewilderment.
“Who the fuck’re you?” he asked, then charged at me without waiting for an answer.
I pulled the trigger of the revolver, thinking,
But it did. The bullet took him in the shoulder. A red rose bloomed on his white shirt. He twisted sideways with the impact, then came on again. He raised the sledge. The bloom on his shirt spread, but he didn’t seem to feel it.
I pulled the trigger again, but someone jostled me just as I did, and the bullet went high and wild. It was Harry.
Arthur “Tugga” Dunning was crawling toward me, toward the kitchen. Just as Harry fired his air rifle—
I caught my balance and fired a third time. This one tore off Dunning’s right cheek all the way up to the ear, but it still didn’t stop him.
“Who the fuck’re you?” he repeated, then: “You’re trespassing.”
He slung the sledge back and brought it around in a whistling horizontal arc. I bent at the knees, ducking as I did it, and although the twenty-pound head seemed to miss me entirely — I felt no pain, not then — a wave of heat flashed across the top of my head. The gun flew out of my hand, struck the wall, and bounced into the corner. Something warm was running down the side of my face. Did I understand he’d clipped me just enough to tear a six-inch-long gash in my scalp? That he’d missed either knocking me unconscious or outright killing me by maybe as little as an eighth of an inch? I can’t say. All of this happened in less than a minute; maybe it was only thirty seconds. Life turns on a dime, and when it does, it turns fast.
Dunning swung the sledge. I jumped back, and the head buried itself in the wall, smashing laths and sending a puff of plaster into the air to join the gunsmoke. The TV was still playing. Still violins, still murder music.
As Dunning struggled to pull his sledge out of the wall, something flew past me. It was the Daisy air rifle. Harry had thrown it. The barrel struck Frank Dunning in his torn-open cheek and he screamed with pain.
Troy was carrying Ellen to the door.
But before he could get her out, someone first filled the door and then came stumbling in, knocking Troy Dunning and the little girl to the floor. I barely had time to see this, because Frank had pulled the sledge free and was coming for me. I backed up, shoving Harry into the kitchen with one hand.
“Out the back door, son. Fast. I’ll hold him off until you—”
Frank Dunning shrieked and stiffened. All at once something was poking out through his chest. It was like a magic trick. The thing was so coated with blood it took a second for me to realize what it was: the point of a bayonet.
“That’s for my sister, you fuck,” Bill Turcotte rasped. “That’s for Clara.”
13
Dunning went down, feet in the living room, head in the archway between the living room and the kitchen. But not all the way down. The tip of the blade dug into the floor and held him up. One of his feet kicked a single time, then he was still. He looked like he’d died trying to do a push-up.
Everyone was screaming. The air stank of gunsmoke, plaster, and blood. Doris was lurching crookedly toward her dead son with her hair hanging in her face. I didn’t want her to see that — Tugga’s head had been split open all the way down to the jaw — but there was no way I could stop her.
“I’ll do better next time, Mrs. Dunning,” I croaked. “That’s a promise.”