Читаем 11 The Brighter Buccaneer полностью

When he woke up, his first impression was that he had been buried alive. He was lying on a hard narrow surface, with one shoulder squeezed up against a wall on his left, and the ceiling seemed to be only a few inches above his head. Then his sight cleared a little, and he made out that he was in a bunk in a tiny unventilated compartment lighted by a single circular window. He struggled up on one elbow, and groaned. His head was one reeling whirligig of aches, and he felt horribly sick.

Painfully he forced his mind back to his last period of con­sciousness. He remembered pouring out that last whisky-and-soda-the ring at the front door-the bitter taste in the glass. . . . Then nothing but an infinity of empty black­ness. . . . How long had he been unconscious? A day? Two days? A week? He had no means of telling.

With an agonizing effort he dragged himself off the bunk and staggered across the floor. It reared and swayed sickeningly under him, so that he could scarcely keep his balance. His stomach was somersaulting nauseatingly inside him. Somehow he got over to the one window, the pane was frosted over, but outside he could hear the splash of water and the shriek of wind. The explanation dawned on him dully-he was in a ship.

Mr. Croon's knees gave way under him, and he sank moan­ing to the floor. A spasm of sickness left him gasping in a clammy sweat. The air was stiflingly close, and there was a smell of oil in it which made it almost unbreathable. Stupidly, unbelievingly, he felt the floor vibrating to the distant rhythm of the engines. A ship! He'd been drugged-kidnapped-shang­haied! Even while he tried to convince himself that it could not be true, the floor heaved up again with the awful deliber­ateness of a seventh wave; and Mr. Croon heaved up with it. ...

He never knew how he managed to crawl to the door be­tween the paroxysms of torment that racked him with every movement of the vessel. After what seemed like hours he reached it, and found strength to try the handle. The door failed to budge. It was locked. He was a prisoner-and he was going to die. If he could have opened the door he would have crawled up to the deck and thrown himself into the sea. It would have been better than dying of that dreadful nausea that racked his whole body and made his head swim as if it were being spun on the axle of a dynamo.

He rolled on the floor and sobbed with helpless misery. In another hour of that weather he'd be dead. If he could have found a weapon he would have killed himself. He had never been able to stand the slightest movement of the water-and now he was a prisoner in a ship that must have been riding one of the worst storms in the history of navigation. The hope­lessness of his position made him scream suddenly-scream like a trapped hare-before the ship slumped suckingly down into the trough of another seventh wave and left his stomach on the crest of it.

Minutes later-it seemed like centuries-a key turned in the locked door, and a man came in. Through the bilious yellow mists that swirled over his eyes, Mr. Croon saw that he was tall and wiry, with a salt-tanned face and far-sighted twinkling blue eyes. His double-breasted jacket carried lines of dingy gold braid, and he balanced himself easily against the rolling of the vessel.

"Why, Mr. Croon-what's the matter?"

"I'm sick," sobbed Mr. Croon, and proceeded to prove it.

The officer picked him up and laid him on the bunk.

"Bless you, sir, this isn't anything to speak of. Just a bit of a blow-and quite a gentle one for the Atlantic."

Croon gasped feebly.

"Did you say the Atlantic?"

"Yes, sir. The Atlantic is the ocean we are on now, sir, and it'll be the same ocean all the way to Boston."

"I can't go to Boston," said Mr. Croon pathetically. "I'm going to die."

The officer pulled out a pipe and stuffed it with black to­bacco. A cloud of rank smoke added itself to the smell of oil that was contributing to Croon's wretchedness.

"Lord, sir, you're not going to die!" said the officer cheer­fully. "People who aren't used to it often get like this for the first two or three days. Though I must say, sir, you've taken a long time to wake up. I've never known a man be so long sleeping it off. That must have been a very good farewell party you had, sir."

"Damn you!" groaned the sick man weakly. "I wasn't drunk -I was drugged!"

The officer's mouth fell open.

"Drugged, Mr. Croon?"

"Yes, drugged!" The ship rolled on its beam ends, and Croon gave himself up for a full minute to his anguish. "Oh, don't argue about it! Take me home!"

"Well, sir, I'm afraid that's --"

"Fetch me the captain!"

"I am the captain, sir. Captaine Bourne. You seem to have forgotten, sir. This is the Christabel Jane, eighteen hours out of Liverpool with a cargo of spirits for the United States. We don't usually take passengers, sir, but seeing that you were a friend of the owner, and you wanted to make the trip, why, of course we found you a berth."

Croon buried his face in his hands.

Перейти на страницу:

Похожие книги

Эскортница
Эскортница

— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

Агата Рат , Арина Теплова , Елена Михайловна Бурунова , Михаил Еремович Погосов , Ольга Вечная

Детективы / Триллер / Современные любовные романы / Прочие Детективы / Эро литература
Апокалипсис
Апокалипсис

Самая популярная тема последних десятилетий — апокалипсис — глазами таких прославленных мастеров, как Орсон Скотт Кард, Джордж Мартин, Паоло Бачигалупи, Джонатан Летем и многих других. Читателям предоставляется уникальная возможность увидеть мир таким, каким он может стать без доступных на сегодня знаний и технологий, прочувствовать необратимые последствия ядерной войны, биологических катаклизмов, экологических, геологических и космических катастроф. Двадцать одна захватывающая история о судьбах тех немногих, кому выпало пережить апокалипсис и оказаться на жалких обломках цивилизации, которую человек уничтожил собственными руками. Реалистичные и легко вообразимые сценарии конца света, который вполне может наступить раньше, чем мы ожидаем.

Алекс Зубарев , Джек Макдевитт , Джин Вулф , Нэнси Кресс , Ричард Кэдри

Фантастика / Фэнтези / Социально-философская фантастика / Фантастика: прочее / Детективы