Читаем 20 лучших повестей на английском / 20 Best Short Novels полностью

‘Now this was a case in which you were given the result and had to find everything else for yourself. Now let me endeavour to show you the different steps in my reasoning. To begin at the beginning. I approached the house, as you know, on foot, and with my mind entirely free from all impressions. I naturally began by examining the roadway, and there, as I have already explained to you, I saw clearly the marks of a cab, which, I ascertained by inquiry, must have been there during the night. I satisfied myself that it was a cab and not a private carriage by the narrow gauge of the wheels. The ordinary London growler[143] is considerable less wide than a gentleman’s brougham[144].

‘This was the first point gained. I then walked slowly down the garden path, which happened to be composed of a clay soil, peculiarly suitable for taking impressions. No doubt it appeared to you to be a mere trampled line of slush, but to my trained eyes every mark upon its surface had a meaning. There is no branch of detective science which is so important and so much neglected as the art of tracing footsteps. Happily, I have always laid great stress upon it, and much practice has made it second nature to me. I saw the heavy footmarks of the constables, but I saw also the track of the two men who had first passed through the garden. It was easy to tell that they had been before the others, because in places their marks had been entirely obliterated by the others coming upon the top of them. In this way my second link was formed, which told me that the nocturnal visitors were two in number, one remarkable for his height (as I calculated from the length of his stride), and the other fashionably dressed, to judge from the small and elegant impression left by his boots.

‘On entering the house this last inference was confirmed. My well-booted man lay before me. The tall one, then, had done the murder, if murder there was. There was no wound upon the dead man’s person, but the agitated expression upon his face assured me that he had foreseen his fate before it came upon him. Men who die from heart disease, or any sudden natural cause, never by any chance exhibit agitation upon their features. Having sniffed the dead man’s lips, I detected a slightly sour smell, and I came to the conclusion that he had had poison forced upon him. Again, I argued that it had been forced upon him from the hatred and fear expressed upon his face. By the method of exclusion, I had arrived at this result, for no other hypothesis would meet the facts. Do not imagine that it was a very unheard-of idea. The forcible administration of poison is by no means a new thing in criminal annals. The cases of Dolsky in Odessa, and of Leturier in Montpellier[145], will occur at once to any toxicologist.

‘And now came the great question as to the reason why. Robbery had not been the object of the murder, for nothing was taken. Was it politics, then, or was it a woman? That was the question which confronted me. I was inclined from the first to the latter supposition. Political assassins are only too glad to do their work and to fly. This murder had, on the contrary, been done most deliberately, and the perpetrator had left his tracks all over the room, showing that he had been there all the time. It must have been a private wrong, and not a political one, which called for such a methodical revenge. When the inscription was discovered upon the wall, I was more inclined than ever to my opinion. The thing was too evidently a blind. When the ring was found, however, it settled the question. Clearly the murderer had used it to remind his victim of some dead or absent woman. It was at this point that I asked Gregson whether he had inquired in his telegram to Cleveland as to any particular point in Mr. Drebber’s former career. He answered, you remember, in the negative.

‘I then proceeded to make a careful examination of the room, which confirmed me in my opinion as to the murderer’s height, and furnished me with the additional details as to the Trichinopoly cigar and the length of his nails. I had already come to the conclusion, since there were no signs of a struggle, that the blood which covered the floor had burst from the murderer’s nose in his excitement. I could perceive that the track of blood coincided with the track of his feet. It is seldom that any man, unless he is very full-blooded, breaks out in this way through emotion, so I hazarded the opinion that the criminal was probably a robust and ruddy-faced man. Events proved that I had judged correctly.

Перейти на страницу:

Все книги серии Иностранный язык: учимся у классиков

20 лучших повестей на английском / 20 Best Short Novels
20 лучших повестей на английском / 20 Best Short Novels

«Иностранный язык: учимся у классиков» – это только оригинальные тексты лучших произведений мировой литературы. Эти книги станут эффективным и увлекательным пособием для изучающих иностранный язык на хорошем «продолжающем» и «продвинутом» уровне. Они помогут эффективно расширить словарный запас, подскажут, где и как правильно употреблять устойчивые выражения и грамматические конструкции, просто подарят радость от чтения. В конце книги дана краткая информация о культуроведческих, страноведческих, исторических и географических реалиях описываемого периода, которая поможет лучше ориентироваться в тексте произведения.Серия «Иностранный язык: учимся у классиков» адресована широкому кругу читателей, хорошо владеющих английским языком и стремящихся к его совершенствованию.

Коллектив авторов , Н. А. Самуэльян

Зарубежная классическая проза

Похожие книги

Дитя урагана
Дитя урагана

ОТ ИЗДАТЕЛЬСТВА Имя Катарины Сусанны Причард — замечательной австралийской писательницы, пламенного борца за мир во всем мире — известно во всех уголках земного шара. Катарина С. Причард принадлежит к первому поколению австралийских писателей, положивших начало реалистическому роману Австралии и посвятивших свое творчество простым людям страны: рабочим, фермерам, золотоискателям. Советские читатели знают и любят ее романы «Девяностые годы», «Золотые мили», «Крылатые семена», «Кунарду», а также ее многочисленные рассказы, появляющиеся в наших периодических изданиях. Автобиографический роман Катарины С. Причард «Дитя урагана» — яркая увлекательная исповедь писательницы, жизнь которой до предела насыщена интересными волнующими событиями. Действие романа переносит читателя из Австралии в США, Канаду, Европу.

Катарина Сусанна Причард

Зарубежная классическая проза
Этика
Этика

Бенедикт Спиноза – основополагающая, веховая фигура в истории мировой философии. Учение Спинозы продолжает начатые Декартом революционные движения мысли в европейской философии, отрицая ценности былых веков, средневековую религиозную догматику и непререкаемость авторитетов.Спиноза был философским бунтарем своего времени; за вольнодумие и свободомыслие от него отвернулась его же община. Спиноза стал изгоем, преследуемым церковью, что, однако, никак не поколебало ни его взглядов, ни составляющих его учения.В мировой философии были мыслители, которых отличал поэтический слог; были те, кого отличал возвышенный пафос; были те, кого отличала простота изложения материала или, напротив, сложность. Однако не было в истории философии столь аргументированного, «математического» философа.«Этика» Спинозы будто бы и не книга, а набор бесконечно строгих уравнений, формул, причин и следствий. Философия для Спинозы – нечто большее, чем человек, его мысли и чувства, и потому в философии нет места человеческому. Спиноза намеренно игнорирует всякую человечность в своих работах, оставляя лишь голые, геометрически выверенные, отточенные доказательства, схолии и королларии, из которых складывается одна из самых удивительных философских систем в истории.В формате a4.pdf сохранен издательский макет.

Бенедикт Барух Спиноза

Зарубежная классическая проза