She didn’t dare even crouch, instead crawled across the floor, pushing aside broken glass and spent shell casings. Her file cabinet was shredded, the metal punched with scores of holes through which paper scraps bled. The d-pad was already active; she’d left it up so that she could glance at the map as she reloaded, although she had been too focused to actually do it very often.
The city glowed in swirling colors like fire. It wasn’t just their position that had broken. The Sons had gotten in through a dozen spots, and pitched battles raged all over the city. Epstein’s towers still held, but the colors showed the militia drawing closer from every direction.
They’d failed. Somehow everything hadn’t been enough.
Natalie stared. Tried to think what to do. She was low on ammunition and wildly outnumbered. The situation had flip-flopped, and now she was on the outside, and the killers were between her and her children. There was no way she could get through town.
She imagined Nick in this position and knew what he would think.
As she was about to stand, the battle map disappeared from her screen. There was a flash of an image, and not only from her d-pad, she saw, but from Jolene’s. Others across the floor lit up too, casting bright lights against the ceiling. A ten-foot wall screen mounted on the opposite building glowed to life. And on all of them, the same image. A surreal, impossible picture.
Her ex-husband.
CHAPTER 45
When he’d thought of the idea earlier, Cooper had imagined a tri-d studio—lights, makeup, and more importantly, a professional. A newscaster, maybe, or Jakob Epstein. Someone who talked into cameras for a living.
“Time is a factor,” Erik said over their video link. “And credibility.”
“Exactly. That’s why it should be someone who knows what they’re doing—”
“They will not listen to us.”
“What makes you think they’ll listen to me?”
“Statistically also unlikely. Odds of success are—”
“Okay,” Shannon cut in. “That’s enough confidence-boosting, Erik. Is the link ready?”
“Yes. We’ve activated dormant Trojan horse software. Estimated efficiency puts the message on 96.4 percent of screens in America.”
“Jesus Christ,” Cooper said.
Shannon lowered the d-pad. “Give us a second.”
They were still at the airfield, in the drone hangar. The lights were on, and Cooper felt strangely exposed under them, their sodium glare blasting out against the darkness of the city outskirts. The steady
“I know this was my idea.” He rubbed at his eyes. “But all of a sudden I don’t know what to say.”
“Just open your mouth and let the truth come out. I believe in you.” She quirked her crooked smile at him. “So don’t blow it, okay?”
Before he could respond, she pointed the d-pad camera at him, said, “Now, Erik.”
“Activating.”
Cooper swallowed his retort. Stared at the lens. Tried to imagine his face suddenly appearing on every d-pad, every phone, every tri-d in the country. Quickly decided that was a bad idea. Panic seized his belly. What was he supposed to say that could change the world?
“My name is Nick Cooper,” he said. “I am . . . I was a soldier, then an agent at the Department of Analysis and Response, an advisor to President Clay, and an ambassador to New Canaan. I’m an abnorm, I’m a patriot, and above all, I’m a father fighting for his children.”
He took a breath, let it out. The air rushing past his broken tooth sparked electric. “Tesla is under attack by an illegal militia. The sound you hear is gunfire. Right now people on both sides are dying. Normals and gifted, men and women.
“Thirty years ago the world changed. We didn’t ask for it. We didn’t expect it. Since 1980 we’ve been trying to deal with it. We’re doing a lousy job. And lately, both sides seem to think that war is the only way to make things right.
“But the words
“Worst of all, war is never contained. It has no rules, no boundaries. We tell ourselves that we are fighting for our children. But it’s our children who suffer the most.”