Mantra:
People flow around me as I stand on the corner, and I can see the vector of each, can predict the moments they will cross and bump, the slowed step, the itched elbow, before they happen. I can, if I wish, screen everything down to lines of motion and force, an interactive map, like a fabric weaving itself.
A man jostles my shoulder, and I entertain a brief whim of breaking his neck, picturing instantly the steps to do so: a palm on his chin, a handful of his hair, a foot planted for leverage, a fast, sharp swivel building from the hips for maximum force.
I let him live.
A woman passes and I read her secrets from her sloped shoulders and the hair falling to screen her peripheral vision, the jump of her eyes at the taxi’s horn, the baggy jacket and ringless finger and comfortable shoes. The hairs on her pant legs are from three different cats, and I can picture the apartment she lives in alone, the train ride in from Brooklyn, perhaps, though not the fashionable part. I can see the abuse as a child—an uncle or family friend, not her father—that framed her isolation. The slight pallor and trembling hands reveal she drinks at night, most likely wine, judging by the teeth. The haircut indicates she makes at least sixty thousand dollars a year, the handbag assures she makes no more than eighty. An office job with little human interaction, something with numbers. Accounting, probably in a major corporation.
This must be what God feels.
Then I realize two things. I’ve got a nosebleed. And I’m being watched.
It manifests as a tingle, the kind fools attribute to notions of “the collective unconscious.” In truth it’s simply indicators gathered by the senses but not processed by the frontal lobe: a tremor of shadow, a partial reflection in a glass, the almost-but-not-quite undetectable warmth and sound of another body in the room.
For me, the original stimuli are easily examined, focused like a blurry image in a microscope. I call up my sense memory of the last moments, the texture of the crowd, the smell of humanity, the movement of vehicles. The lines of force tell a tale, much like ripples in water reveal rocks beneath the surface. I am not mistaken.
They are many, they are armed, and they are here for me.
I roll my neck and crack my fingers.
This should be interesting.
CHAPTER 1
They were running out of time, but even so, Cooper couldn’t stop staring.
There was nothing unusual about the rope, which was the kind of bright yellow synthetic cord used to lash down a tarp. What was unusual was that it had been tied in a noose and flung over a Manhattan streetlight.
What was unusual was that a corpse hung from it.
He’d been maybe seventeen. A good-looking kid, lean with strong features. He wore a McDonald’s uniform, and across the bright yellow shirt, whoever murdered him had markered the word TWIST. Not random, then. Lynched by neighbors, coworkers, maybe even friends. Somewhere along the line he’d lost a shoe, and that was what Cooper couldn’t stop staring at, the thin white sock, so exposed in the December wind.
“Jesus Christ.” Ethan Park panted the words; they’d been sprinting until they hit the crowd gathered around the body.
It had been two weeks since seventy-five thousand troops were massacred by their own equipment in the Wyoming desert, the result of a computer virus designed and implemented by abnorms. Humanity never took well to the exceptional. And liked it even less when the exceptional fought back.
“Jesus Christ,” Ethan repeated. “I never thought I’d see something like this.”
“Let’s go.”
“But—”