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“Oh, I would hope that is not an accurate description of a diplomat. It’s not mine, and I hope not yours.”

“I don’t think we get to choose what words mean.”

“No? I think we do.”

“Only within very tight limits,” she said. “But go on.”

“Well, after that I went back to Titan and worked on the terraforming there. In those years I had my children.”

“With partners?”

“Yes, my creche had six parents and eight children. I see them all from time to time. It’s almost always a pleasure. I try not to worry about them. I love the kids; I remember parts of their lives they don’t remember themselves. I think that’s of more interest to me than to them. That’s all right. Memory is a haunting. You remember times you liked, and you want something like them. But you can only get new things. So I try to want what I get. It isn’t obvious how to do it. You get into your second century and it gets hard, I think.”

“It was never not hard,” she said.

“True. This world is very mysterious to me. I mean, I hear what people say about the universe, but I don’t know how to put it to use. To me it sounds meaningless. So I agree with those who say we have to make our own meaning. The concept of the project I find useful. Something you do in the present, and can remember doing in the past, and expect to do in the future, in order to create something. A work of art which need not be in the arts per se, but something human worth doing.”

“That’s existentialism, yes?”

“Yes, I think that’s right. I don’t see how you can avoid it.”

“Hmm.” She thought about it. The light gleamed off her black hair in white streaks. “Tell me about your creche. How did that work?”

“On Titan there would be groups of people around the same age, who were educated together and worked together. Smaller cohorts would band together out of these to raise children. Usually it was in groups of half a dozen or so. There were different ways to structure them. It depended on compatibilities. There was a feeling at the time that pair-bonds didn’t have enough people in them to endure over the long haul-that they succeeded less than half the time, and children needed more. So there would be some larger number. Almost everyone thought of it as a child-raising method and not a lifelong arrangement. Thus the name creche. Eventually there were a lot of hurt feelings involved. But if you’re lucky, it can be good for a while, and you just have to take that and move on when the time comes. I still stay in touch with them; we’re even still a creche. But the kids are grown, and we very rarely see each other.”

“I see.”

A long time of silent walking passed, and Wahram was feeling rather companionable, and not too sore.

Then Swan said vehemently, “I can’t stand it in here. There’s no chance of changing. It’s like a prison, or a school.”

“Our submercurial life,” he said, just a little offended, as he had been enjoying himself. On the other hand, she was ill. “It will soon enough come to an end.”

“ Not soon enough.” She shook her head gloomily.

T hey walked on, hour after hour. Everything stayed the same. Swan walked better than she had right after her collapse, but she was still slower than she had been before it. It didn’t matter to Wahram; he liked the slower pace, in fact. He was still quite sore in the mornings, but did not seem to be getting any worse; nor did he feel weak or nauseous, though he was on the lookout for the symptoms in an uncomfortable way. He felt queasy a lot. Swan had pulled off all the hair on her head, leaving a fair number of scabby patches.

“What about you?” he said at one point. “Tell me more about you. Did you really lie naked on blocks of ice for hours at a time? Did you cut orreries into your skin and make patterns of blood on you?”

She was walking ahead of him, and now she hesitated, then stopped and let him take the lead. “I don’t want to shout back at you,” she said as he passed her.

“And yes,” she said as they carried on, “I did do those things, and other kinds of abramovics. The body is very good material for art, I think. But that was mostly when I was in my fifties.”

“What about before?”

“I was born in Terminator, as I said. It was just being constructed, and I was a kid in the farm when they were still putting in the irrigation systems. It was a big deal when the soil arrived. It came out of big tubes, like wet cement, only black. I played in there with my mother while they were getting the first crops and the park plants started. It was a great place to be a kid. It’s hard to believe that it’ll all be dead when we come up. I’ll have to see it to believe it. Anyway that’s where I grew up.”

“The past is always gone,” Wahram said. “Whether the place is still there or not.”

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Артем Каменистый , АРТЕМ КАМЕНИСТЫЙ

Фантастика / Боевая фантастика / Научная Фантастика