With that caustic dismissal, he opened the door and gestured us out into the street. Tito and I settled Rebecca into the wagon again and started at a quick pace through the city toward the castle. Now I had time again to worry about my father and the duchess. Surely Leonardo must have returned from his mission and read the missive I’d left behind for him. Perhaps he’d already concocted a plan. If not, we would be able to do naught but wait for his arrival, knowing in the meantime that my father’s safety hung in the balance.
Fortunately, Rebecca’s captain was not on duty at the gates, so that we made it past Ludovico’s guards avoiding any awkward questions. My heart thumping loudly in my chest, I focused my attention on the Master’s quarters, half hoping that, by sheer force of will, I could make him be there, though he was not. Tito glanced back at me once and shook his head.
“Calm yourself, Dino. You bounce about like Pio the hound. We shall be at the Master’s quarters momentarily.”
I managed with an effort to heed his words, though the final few minutes of our journey seemed the longest, yet! Tito had barely halted the cart before Leonardo’s step when I leaped out and began a frantic knock upon the door.
“Master, it is Dino! Tito and I have returned with news!”
When the door did not immediately open, I could feel my stomach plunge as it had when I’d first stood atop the roof of Castle Pontalba. Tito shook his head and jerked a thumb in the direction of the main workshop. “Perhaps he is there, instead.”
I did not bother climbing back aboard the cart again but sprinted around the corner. The first thing that I saw was four large wagons waiting outside the workshop door. The door itself was propped open, and the apprentices, who should have been busy at work upon the fresco, were running back and forth between wagons and workshop with solemn purpose.
“Dino!” I heard my name called.
I looked over to see Vittorio beside one of the wagons. He gave an awkward wave as he used the other to balance a board upon one shoulder. “Finally, you have returned!” he cried, his expression one of relief. “Quickly, the Master awaits you.”
I needed no further urging but rushed inside to find the workshop awash with frantic activity unlike any I’d ever seen. Davide was standing atop one table and directing the other apprentices with shouts and gestures. Some were cutting lengths of wood, while others were splashing paint upon large sections of canvas, which had been stretched on head-high frames. Davide spotted me but had no time for a greeting. Instead, he simply pointed in the direction of the fireplace along the far wall.
While normally it burned with a cheery flame, the hearth now raged like hell’s own furnace, spewing a blast of heat and a blaze of light that momentarily stopped me in my tracks. Throwing up a hand to shield my face, I saw that an anvil had been set atop the hearth, and that a lone figure stood before it, wielding a hammer, which sparked against an immense blade glowing red with heat. With a final crash of the hammer, he set aside the blade and turned in my direction.
My first thought was that the fire god Vulcan had taken up residence in our workshop, for the man before me looked hardly human. He wore nothing save black trunk hose girded by a large leather belt, and his bare torso and arms gleamed with sweat. Where his face should have been, I saw but a black, masklike countenance, around which russet brown hair-appearing almost ablaze itself in the flickering light-spilled like a halo. He was an awesome and glorious figure, and I could do nothing for a moment but simply stare.
Then the fire god plucked aside his mask, and I saw in relief that beneath the emotionless facade lay Leonardo’s familiar face.
18
Fame should be represented in the shape of a bird…
– Leonardo da Vinci, Manuscript B
“Master!” I joyfully cried and rushed toward him, only to halt in confusion as he held out a warning hand.
“Not so fast, my young apprentice,” Leonardo declared, a hint of a smile warming the look of weary determination on his face. “Come too close, and you may be burned like a moth rushing into a flame. I cannot afford to have you combust in such an undignified manner until you have explained all that has happened these past days. As you might guess, it was your dramatic missive to me that has put all of this”-he waved the hammer to encompass the bustling workshop-“into motion.”
Setting aside mask and hammer, he grabbed up his tunic and pulled it on; then, taking me by the arm, he led me through the whirl of apprentices back outside the door. By now, Tito had moved the wagon, and Vittorio had joined him in checking on a surly if now fully conscious Rebecca.