A change of gravity

Have you? Aren't you the one? Of course you are; and you have to know it, too, I think. Which I by the way have to say that I think is very unfair of you here."

"Openah fuckin' door," Merrion said, forcing the words through clenched teeth.

The lock snapped open. Brody turned the knob and pushed the door. It was hinged on the left and stopped against something made of wood behind it. "Bookcases," Brody said, muttered, allowing Merrion to brush by him and enter the apartment. "Dunno if you recall how it was back when you were visitin' Larry Lane, but they didn't have 'em then.

But alia units got these bookcases in 'em now. Dunno why they bothered."

To the right of the door there was an oval maple table with four straight chairs grouped around it. There was a Boston Herald tabloid folded in half at the corner of the table. The air carried a heavy cargo of stale tobacco smoke, something combining fatty meat and cheese, tomato and beans that had been cooked too long at too high a temperature, human perspiration, stale beer and something else. Piss is what it is, human fucking piss. The apartment smelled as though the toilet hadn't been flushed regularly. Fucking hopeless people, can't even handle indoor plumbing. Fucking hopeless bastards. In the center of the table there was a beige china bowl with two white envelopes face-down in it. There was a key-ring with four keys splayed out on the table.

Straight ahead there was a small square kitchen alcove lighted by two casement windows over a double stainless-steel sink. The refrigerator flanked the cabinets suspended from the ceiling on the left and the electric stove occupied the space under them on the right. There were a few dishes unevenly stacked on the counter next to the sink; the handles of tableware protruded between them. On the stove there were two matte-grey saucepans, one of them with something brownish-yellow caked on the side of it, along with a frying pan dull with a scalloped rime of greyish grease around its edge. The area was enclosed by a waist-high partition wide enough to double as a snack counter; two wooden stools stood under its overhang. There were four round anodized aluminum ashtrays on it, red, gold, green and blue; all of them had been used. There were four packs of Winston Lights on it, three of them opened, and several lottery scratch tickets scattered along it.

There was an uncapped 1.75 litre jug of Old Russia vodka at the furthest end, the one nearest the interior wall at the left of the kitchen area. There was a yellow wall telephone set mounted above the end of the counter.

Next to it there was a white wall with a door opening onto a dim interior hallway leading away toward the southwesterly corner of the front of the building. Visible beyond it was a door ajar on a blue-tiled wall and the shower-curtained end of a bathtub. The rug on the floor of the living-room area was a dark-green swirled-embossed pattern. It was soiled and had not been recently vacuumed. Against the wall there was a bulky two-cushion sofa-bed, the seat cushions high, much thicker than the back-rest. It was upholstered in a nubby maroon fabric with a decorative silver thread. At each end there was a square table made of dark wood. The one at the end of the couch furthest from the door held a lamp with a base made of a foot-tall china model of a pink-dressed and picture-hatted, apple-cheeked country girl; she wore white socks and black mary janes and displayed a white-toothed grin between parted ruby lips. There were four empty Coors beer bottles around her. The table at the end nearest the door held a lamp with a base made of a foot-tall china model of a freckle-cheeked, barefooted farm boy wearing blue bib bed overalls and a straw hat. He was carrying a bamboo fishing pole jagged where the tip had broken off and grinning between parted ruby lips. There were two Coors beer bottles standing next to him and one on its side in front of him.