A Clockwork Orange (UK Version)

I could feel myself growing all razdraz within, but I had to watch that, so I like smiled at the veck who had taken over Andy's place and at all the dancing and creeching nadsats. This counter-veck said: "You go into that listen-booth over there, friend, and I'll pipe something through." So I went over to the malenky box where you could sloo-shy the discs you wanted to buy, and then this veck put a disc on for me, but it wasn't the Mozart Forty, it was the Mozart 'Prague' – he seemingly having just picked up any Mozart he could find on the shelf – and that should have started making me real razdraz and I had to watch that for fear of the pain and sickness, but what I'd forgotten was something I shouldn't have forgotten and now made me want to snuff it. It was that these doctor bratchnies had so fixed things that any music that was like for the emotions would make me sick just like viddying or wanting to do violence. It was because all those violence films had music with them. And I remembered especially that horrible Nazi film with the Beethoven Fifth, last movement. And now here was lovely Mozart made horrible. I dashed out of the shop with these nadsats smecking after me and the counter-veck creeching: "Eh eh eh!" But I took no notice and went staggering almost like blind across the road and round the corner to the Korova Milkbar. I knew what I wanted.

The mesto was near empty, it being still morning. It looked strange too, having been painted with all red mooing cows, and behind the counter was no veck I knew. But when I said: "Milk plus, large," the veck with a like lean litso very newly shaved knew what I wanted. I took the large moloko plus to one of the little cubies that were all around this mesto, there being like curtains to shut them off from the main mesto, and there I sat down in the plushy chair and sipped and sipped. When I'd finished the whole lot I began to feel that things were happening. I had my glazzies like fixed on a malenky bit of silver paper from a cancer packet that was on the floor, the sweeping-up of this mesto not being all that horrorshow, brothers. This scrap of silver began to grow and grow and grow and it was so like bright and fiery that I had to squint my glazzies at it. It got so big that it became not only this whole cubie I was lolling in but like the whole Korova, the whole street, the whole city. Then it was the whole world, then it was the whole everything, brothers, and it was like a sea washing over every veshch that had ever been made or thought of even. I could sort of slooshy myself making special sort of shooms and govoreeting slovos like 'Dear dead idlewilds, rot not in variform guises' and all that cal. Then I could like feel the vision beating up in all this silver, and then there were colours like nobody had ever viddied before, and then I could viddy like a group of statues a long long long way off that was like being pushed nearer and nearer and nearer, all lit up by very bright light from below and above alike, O my brothers. This group of statues was of God or Bog and all His Holy Angels and Saints, all very bright like bronze, with beards and bolshy great wings that waved about in a kind of wind, so that they could not really be of stone or bronze, really, and the eyes or glazzies like moved and were alive. These bolshy big figures came nearer and nearer and nearer till they were like going to crush me down, and I could slooshy my goloss going 'Eeeeee'. And I felt I had got rid of everything – platties, body, brain, name, the lot -and felt real horrorshow, like in heaven. Then there was the shoom of like crumbling and crumpling, and Bog and the Angels and Saints sort of shook their gullivers at me, as though to govoreet that there wasn't quite time now but I must try again, and then everything like leered and smecked and collapsed and the big warm light grew like cold, and then there I was as I was before, the empty glass on the table and wanting to cry and feeling like death was the only answer to everything.