bibliography, 439;
filmography, 425-426;
interviewed, 250-264;
introduced, 249-250;
on convincing men to take off their clothes, 263;
on deromanticizing the female body, 261-262;
on the male gaze, 257-258, 261-262;
on power relationships in prostitution, 251-254;
on prostitution films, 254-255
249, 251
Bourdier, Jean-Paul, 362
Bowie, David, 46
Brakhage, Jane, 114
Brakhage, Stan, 28, 31, 65, 68, 78, 97, 110, 114, 126, 133, 178, 189, 222, 240, 284, 305, 306, 329-330, 334, 355
Brand, Bill, 169
Braudel, Fernand, 76
21, 36
(Godard), 178
Brecht, Bertolt, 373
Breer, Frannie, 47
Breer, Robert, 5, 6, 7, 79;
bibliography, 439-440;
filmography, 426-427;
interviewed, 17-50;
introduced, 15-17;
on abstraction vs. illusionism, 26-27;
on the avant-garde filmmaker as pioneer, 39-40;
"But first, a little ru-ru," 41-43;
on editing, 35;
on metamorphosis in animation, 21-22;
on his mutoscopes, 29-30;
on his painting, 18;
on his sculpture, 44-45;
on sound, 24, 26, 28
Page 451
Bremer, Arthur, 222-223, 243, 245
Brener, Tom, 137
Brenner, David, 27
Brenner, Steve, 123
Bresson, Robert, 204
78, 93-96, 103
Brigante, Louis, 87, 93, 178
Brinkley, David, 32-33, 46
British Film Institute, 340
Britten, Benjamin, 190
234
252-253, 255
116
Broughton, James, 114
Brown, Judith C., 286
Brown, Kenneth, 95
Buffalo Bill (
), 223
Buñuel, Luis, 156, 180, 338, 343, 381, 383
Burch, Noel, 17, 26
Burckhardt, Rudy, 36
Burns, Tim, 168
Burroughs, William S., 181
283, 289, 291, 292-293
C
Cabala, 179
86
Cage, John, 24, 38-39, 91, 126, 139, 140, 366-367
Caldicott, Helen, 350
Cale, John, 100
Callenbach, Ernest, 116-117
Campbell, Joseph, 138, 326
Cannes Film Festival, 329
Cannon Releasing Corporation, 386
Canyon Cinema, 8, 110, 113-118, 122, 137-138, 331
117
Caplan, Elliot, 135
Capp, Al, 142
CAPS grants, 165, 168
Capsis, George, 87
168
Carson, L. M. Kit, 175
70
98, 107
109-110, 117, 118, 119, 126, 128-130, 131
Cavalcanti, Alberto, 79, 378
Center for Media Studies (Buffalo), 174
Central Television (U.K.), 417
Cervantes, 126
Chagnon, Napoleon, 356
Chambers, Jack, 76
Chambers, Marilyn, 258
Chambers Street Series, 139
Chandler, Raymond, 177
175, 178, 179, 185
266, 267, 268-269, 274
176, 190, 192-195, 201, 203
87
234
338, 343, 351
144
Chomont, Tom, 110
Christian, Barbara, 373
167
387-388
"Cinema Histories/Cinema Practices I," 174
"Cinema Histories/Cinema Practices II," 73-74
Cinema 16, 30, 77, 82, 86, 88
Cinema vérité, 78, 93, 175, 180, 182-183, 265-266, 274-275
Cinematheque, the, (New York City), 8, 61, 62, 77, 83, 178, 182
Cinématheque Française, 17, 267
"City symphony," 378-379
Cixous, Hélène, 336, 373
Clare, John, 190
Clarke, Shirley, 62, 86
Clayton, Buck, 57
Cleaver, Eldridge, 325, 350
Cloche, Maurice, 383
Club Med, 56
Cocteau, Jean, 125, 144, 156
Cohan, Bob, 160
Cohl, Emile, 15, 17
Coleman, Ornette, 58
54-55, 56
Collective for Living Cinema, 73, 161, 162, 169, 174, 305, 348-349
Collins, Warren, 57
Columbia University, 406-409
Conceptual art, 65-66, 139-140, 144-156, 170, 310
379
"Cone" films, 5, 9, 157-158, 160-163, 164-166, 167
157, 162, 166
"Confessions of a Feminist Porn Watcher," 250
157, 162, 166
Conner, Bruce, 117
Conrad, Tony, 78, 163, 192, 240
283-284, 287, 289, 290
Coolidge, Martha, 265, 269
Cooper, Karen, 174
Coppola, Francis Ford, 10, 399
Courbet, Gustave, 189
Cowan, Bob, 60, 62
Page 452
Cox, Tony, 146
Creative Film Foundation, 32
"Creative geography," 228
Crews, Harry, 180
339
255
"Critical cinema," defined, 1-3
76
309
Crosby, Bing, 144
Cubatao, 394
Cubism, 18, 20, 57
(book), 402
(film), 402-403, 404
Cummings, Blondell, 346
cummings, e.e., 126
Cunningham, Merce, 139
79-80
Curtis,David, 163
D
Dadaism, 18, 140
Dali, Salvador, 102, 338, 343
4, 283, 286-287, 289, 291, 297, 298-308
305
32-33
175, 180