Читаем A Dreamer & A Visionary; H.P. Lovecraft in His Time полностью

By my thirteenth birthday I was thoroughly impressed with man’s impermanence and insignificance, and by my seventeenth, about which time I did some particularly detailed writing on the subject, I had formed in all essential particulars my present pessimistic cosmic views. The futility of all existence began to impress and oppress me; and my references to human progress, formerly hopeful, began to decline in enthusiasm. (‘A Confession of Unfaith’)

Having sloughed off any belief in deity as scientifically unjustified, Lovecraft was left with the awareness that humankind was (probably) alone in the universe—at least, we have no way to establish contact with extraterrestrial races—and that the quantitative insignificance of the planet and all its inhabitants, both spatially and temporally, carried with it the corollary of a qualitative insignificance.

A rather remarkable consequence of Lovecraft’s philosophical interests was a reformist instinct that led him to attempt to educate the masses—or, at least, one member of them. Lovecraft came upon a Swedish boy, Arthur Fredlund, at the Providence Public Library, and brought him frequently to his home to foster his education. The degree to which Lovecraft took Fredlund under his wing is suggested by the fact that Fredlund (no doubt with Lovecraft’s aid) revived and become the editor of The Scientific Gazette, which had been defunct since September 1905. That Lovecraft would have allowed Fredlund to take over the earliest of his scientific periodicals must have meant that he saw great things in the boy. Eventually, however, Lovecraft uncovered unspecified ‘qualities’ in Fredlund that he did not like, so he abandoned him to his ‘plebeian fate’.42

In 1908 Lovecraft stood at the threshold of adulthood: he was doing reasonably well at Hope Street High School, he had become prodigiously learned in chemistry, geography, astronomy, and meteorology, and he was accomplished in belles-lettres as a Latinist, poet, and fiction writer. He seemed destined for a career as an academician of some sort; perhaps he would be a sort of transatlantic version of those later Oxford dons who wrote detective stories, teaching astronomy at a university while writing horror tales in his spare time. In any event, the future for so precocious and accomplished a young man seemed assured.

What derailed that future—and what ensured that Lovecraft would never lead a ‘normal’ life—was his fourth ‘nearbreakdown’, clearly the most serious of his life. In some ways he never recovered from it.

CHAPTER FIVE

Barbarian and Alien (1908–14)

Lovecraft is very reticent about the causes or sources of what we can only regard as a full-fledged nervous breakdown in the summer of 1908. Beyond the mere fact of its occurrence, we know little. Consider four statements, made from 1915 to 1935:

In 1908 I should have entered Brown University, but the broken state of my health rendered the idea absurd. I was and am a prey to intense headaches, insomnia, and general nervous weakness which prevents my continuous application to any thing.1

In 1908 I was about to enter Brown University, when my health completely gave way—causing the necessary abandonment of my college career.2

after all, high-school was a mistake. I liked it, but the strain was too keen for my health, and I suffered a nervous collapse in 1908 immediately after graduating, which prevented altogether my attending college.3

My health did not permit me to go to the university— indeed, the steady application to high-school gave me a sort of breakdown.4

In the first, second, and fourth of these statements Lovecraft is a little disingenuous: he implies that his entry into Brown University was a matter of course, but in fact he never graduated from high school, and certainly would have required at least another year of schooling before he could have done so. The third statement, which states that he actually did graduate, is one of the few instances I have found where Lovecraft plainly lies about himself.

Since we are generally left in the dark about the nature of this breakdown, we can work only on conjecture. We have two pieces of external evidence. One comes from Harry Brobst, who spoke to a woman who had gone to high school with Lovecraft:

She … described these terrible tics that he had—he’d be sitting in his seat and he’d suddenly up and jump—I think they referred to them as seizures. The family took him out of high school, and then whatever education he got presumably was done by private tutors, whatever that meant.5

Перейти на страницу:

Похожие книги

Адский город
Адский город

Вот уже сорок лет государства и народы Тамриэля оправляются от небывалых разрушений, причиненных вторжением из Обливиона армий принцев-дейдра. Император Титус Мид собирает по кусочку расколотые войной земли. Неожиданно у берегов континента появляется летающий остров, уничтожающий все живое на своем пути.Противостоять ему и спасти мир решаются немногие. В их числе принц Аттребус Мид, чье имя окутано романтическими легендами. Данмер Сул, волшебник и воин, разыскивающий давнего врага. Сыщик Колин, который потянул за ниточку опаснейшего заговора. Юная девушка по имени Аннаиг, чьи способности к алхимии оценили даже обитатели Адского города — Умбриэля.Грег Киз — очень известный и талантливый писатель, работающий в жанре фэнтези. Его книги завоевали миллионы читательских сердец и вошли в список мировых бестселлеров. Роман «Адский город» основан на вселенной суперпопулярной компьютерной ролевой игры «The Elder Scrolls».

Грегори Киз , Эдвард Ли

Фантастика / Ужасы / Фэнтези
Дети Эдгара По
Дети Эдгара По

Несравненный мастер «хоррора», обладатель множества престижнейших наград, Питер Страуб собрал под обложкой этой книги поистине уникальную коллекцию! Каждая из двадцати пяти историй, вошедших в настоящий сборник, оказала существенное влияние на развитие жанра.В наше время сложился стереотип — жанр «хоррора» предполагает море крови, «расчлененку» и животный ужас обреченных жертв. Но рассказы Стивена Кинга, Нила Геймана, Джона Краули, Джо Хилла по духу ближе к выразительным «мрачным историям» Эдгара Аллана По, чем к некоторым «шедеврам» современных мастеров жанра.Итак, добро пожаловать в удивительный мир «настоящей литературы ужаса», от прочтения которой захватывает дух!

Брэдфорд Морроу , Дэвид Дж. Шоу , Майкл Джон Харрисон , Розалинд Палермо Стивенсон , Эллен Клейгс

Фантастика / Ужасы / Ужасы и мистика / Фантастика: прочее
Мифы Ктулху
Мифы Ктулху

Роберт Ирвин Говард вошел в историю прежде всего как основоположник жанра «героическое фэнтези», однако его перу с равным успехом поддавалось все: фантастика, приключения, вестерны, историческая и даже спортивная проза. При этом подлинной страстью Говарда, по свидетельствам современников и выводам исследователей, были истории о пугающем и сверхъестественном. Говард — один из родоначальников жанра «южной готики», ярчайший автор в плеяде тех, кто создавал Вселенную «Мифов Ктулху» Г. Ф. Лавкрафта, с которым его связывала прочная и долгая дружба. Если вы вновь жаждете прикоснуться к запретным тайнам Древних — возьмите эту книгу, и вам станет по-настоящему страшно! Бессмертные произведения Говарда гармонично дополняют пугающие и загадочные иллюстрации Виталия Ильина, а также комментарии и примечания переводчика и литературоведа Григория Шокина.

Роберт Ирвин Говард

Ужасы