A Fable

With the eventual publication of his most sensational and violent (as well as, up until then, most successful) novel, Sanctuary (1931), Faulkner was invited to write scripts for MGM and Warner Brothers, where he was responsible for much of the dialogue in the film versions of Hemingway’s To Have and Have Not and Chandler’s The Big Sleep, and many other films. He continued to write novels and published many stories in popular magazines. Light in August (1932) was his first attempt to address the racial issues of the South, an effort continued in Absalom, Absalom! (1936), and Go Down, Moses (1942). By 1946, most of Faulkner’s novels were out of print in the United States (although they remained well-regarded in Europe), and he was seen as a minor, regional writer. But then the influential editor and critic Malcolm Cowley, who had earlier championed Hemingway and Fitzgerald and others of their generation, put together The Portable Faulkner, and once again Faulkner’s genius was recognized, this time for good. He received the 1949 Nobel Prize for Literature as well as many other awards and accolades, including the National Book Award and the Gold Medal from the American Academy of Arts and Letters and France’s Legion of Honor.

In addition to several collections of short fiction, his other novels include Pylon (1935), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), Intruder in the Dust (1948), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962).

William Faulkner died of a heart attack on July 6, 1962, in Oxford, Mississippi, where he is buried.

“He is the greatest artist the South has produced.

 … Indeed, through his many novels and short stories, Faulkner fights out the moral problem which was repressed after the nineteenth century [yet] for all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.”

—RALPH ELLISON

“Faulkner, more than most men, was aware of human strength as well of human weakness. He knew that the understanding and the resolution of fear are a large part of the writer’s reason for being.”

—JOHN STEINBECK

“For range of effect, philosophical weight, originality of style, variety of characterization, humor, and tragic intensity, [Faulkner’s works] are without equal in our time and country.”

—ROBERT PENN WARREN

“No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there.”

—EUDORA WELTY

ALSO BY WILLIAM FAULKNER

ABSALOM, ABSALOM!

One of Faulkner’s finest achievements, Absalom, Absalom! is the story of Thomas Sutpen and the ruthless, single-minded pursuit of his grand design—to forge a dynasty in Jefferson, Mississippi, in 1830—which is ultimately destroyed (along with Sutpen himself) by his two sons.

AS I LAY DYING

As I Lay Dying is the harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told by each of the family members—including Addie herself—the novel ranges from dark comedy to deepest pathos.

A FABLE

Winner of the Pulitzer Prize and the National Book Award, this allegorical novel about World War I is set in the trenches of France and deals with a mutiny in a French regiment.

FLAGS IN THE DUST

The complete text, published for the first time in 1973, of Faulkner’s third novel, written when he was twenty-nine, which appeared, with his reluctant consent, in a much cut version in 1929 as Sartoris.

LIGHT IN AUGUST

A novel about hopeful perseverance in the face of mortality, Light in August tells the tales of guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, an enigmatic drifter consumed by his mixed ancestry.

THE REIVERS

One of Faulkner’s comic masterpieces and winner of a Pulitzer Prize, The Reivers is a picaresque tale that tells of three unlikely car thieves from rural Mississippi and their wild misadventures in the fast life of Memphis—from horse smuggling to bawdy houses.

REQUIEM FOR A NUN