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No. Her hands clenched in her lap. She was going back to Texas, but not to the stagnant little town on the Gulf Coast where she had grown up; she was flying to Byzantium.

The name of the town made her smile: how the dreams of the pioneers became the lies of property developers! She didn’t know Byzantium. She had never heard of it before the invitation to spend the weekend as a guest of honour at a science fiction convention held there. According to the map, Byzantium was more than five hundred miles west of the southeastern swamp where she had grown up. West Texas to her meant deserts and dust, cowboys and rattlesnakes, rugged mountains etched against postcard sunsets: it was the empty space between Houston and Los Angeles, traversed by air.

She lived in Hollywood now, and Texas was no longer home. She was Sheila Stoller, author of Moonlight Under the Mountain, and her fans were paying for the privilege of meeting her.

Sheila pulled her traveling case from beneath the seat and took out her notebook, thinking of Damon. He had been impressed by her invitation to Byzantium, more than she was herself. But then he was an actor. Public appearances were something he understood, a sign of success. It had never occurred to him that Sheila might not accept – perhaps that was why she had. Away from him, though, she felt her confidence flag. She knew nothing about science fiction. Wouldn’t the others at the convention see her as a fraud? She had written a speech in her notebook, the story of how she had written Moonlight Under the Mountain, but the speech was a fraud, too, a carefully constructed fiction. She stared down at the page wondering if she would have the nerve to read it.

The notebook had been a gift from Damon. ‘For your next novel,’ he had said, giving it to her with his famous, flashing smile. And she had taken it, unable to tell him that there would not be a next novel.

Ordinary people had ordinary jobs in Hollywood, as they did everywhere else, as sales assistants, as waiters, as secretaries and caretakers, but in Hollywood the jobs were always temporary; the people in them were really actors, directors, dancers, singers, producers, writers waiting for the main chance. Damon had been an actor working as a waiter until his pilot took off: now he had a minor but regular role in a weekly comedy series. He was the wise­cracking roommate’s best friend. Viewing figures and audience response were both good, and he was on his way up.

He thought that Sheila was on her way up, too. It was true she made her living doing temporary secretarial work, but she’d had one novel published, and surely it was only a matter of time until she was well-paid and famous: all she had to do was to keep on writing.

But Sheila didn’t write anymore. She no longer felt the need.

Writing, for Sheila, had always been a means of escape. It took her out of herself, away from loneliness, dull school classes, and the tedium of working behind a counter at the local Woolco. When she was writing she could forget that she wasn’t pretty, didn’t have a boyfriend or an interesting job, had no talents and no future. She’d had no friends because she never tried to cultivate any. Girls her own age thought she was a weird, stuck-up bookworm – she thought they were boring, and didn’t bother to hide her opinions. Her quirky intelligence made her reject most of the people and things around her, but did not make her special enough to be forgiven. Despite her reading, she was an indifferent student, lazy in the classroom and inept at sports. She tried to write for the school magazine and newspaper, but after several cool rejections she learned to keep her writing to herself.

She wrote another world into existence. It was a fairy-tale world full of monsters and treasures, simpler, starker, and more beautiful than the reality she felt suffocating her, and she escaped into it whenever she could. Her universe contained a vast and dangerous wasteland spotted with small, isolated villages. One of the settlements had a mountain rising from its centre, towering over everything, dominating the landscape and the lives of those who lived there. For beneath the mountain was a series of maze-like tunnels where dwelt the evil, powerful grenofen. They kept the townspeople in terror until a young girl, Kayli, won her way through a series of adventures, battles, and enchantments to triumph over the grenofen and steal their sacred treasure for herself.

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Конрад Лоренц (1903-1989) — выдающийся австрийский учёный, лауреат Нобелевской премии, один из основоположников этологии, науки о поведении животных.В данной книге автор прослеживает очень интересные аналогии в поведении различных видов позвоночных и вида Homo sapiens, именно поэтому книга публикуется в серии «Библиотека зарубежной психологии».Утверждая, что агрессивность является врождённым, инстинктивно обусловленным свойством всех высших животных — и доказывая это на множестве убедительных примеров, — автор подводит к выводу;«Есть веские основания считать внутривидовую агрессию наиболее серьёзной опасностью, какая грозит человечеству в современных условиях культурноисторического и технического развития.»На русском языке публиковались книги К. Лоренца: «Кольцо царя Соломона», «Человек находит друга», «Год серого гуся».

Вячеслав Владимирович Шалыгин , Конрад Захариас Лоренц , Конрад Лоренц , Маргарита Епатко

Фантастика / Научная литература / Самиздат, сетевая литература / Ужасы / Ужасы и мистика / Прочая научная литература / Образование и наука