The last two tsars had obvious motives for holding on so firmly to this archaic vision. Indeed, in so far as they believed that their power and prestige were being undermined by 'modernity' in all its forms — secular beliefs, Western constitutional ideologies and the new urban classes — it was only logical for them to seek to put the clock back to some distant golden age. It was in the eighteenth century and the reign of Peter the Great — 'Your Peter' as Nicholas called him speaking with officials — that the rot, in their view, had begun to set in. There were two opposing models of autocracy in Russia: the Petrine and the Muscovite. Emulating Western absolutism, the Petrine model sought to systematize the power of the crown through legal norms and bureaucratic institutions. This was deemed a limitation on the Tsar's powers in that even he would henceforth be obliged to obey his own laws. The Tsar who did not was a despot. The Petrine tradition also implied a shift in the focus of power from the divine person of the Tsar to the abstract concept of the autocratic state. Nicholas disliked this, above all. Like his father, Alexander III, he had been taught to uphold the principles of personal rule, keeping power at the court, and to distrust the bureaucracy as a sort of 'wall' that broke the natural bond between the Tsar and his people. This distrust may be explained by the fact that during the nineteenth century the imperial bureaucracy had begun to emerge as a force for modernization and reform. It became increasingly independent of the court and closer to public opinion, which, in the view of conservatives, was bound to lead to revolutionary demands for a constitution. Alexander ITs assassination in 1881 (after two decades of cautious reform) seemed to confirm their
* Bertrand Russell used a similar idea when, in an attempt to explain the Russian Revolution to Lady Ottoline Morrell, he remarked that, terrible though Bolshevik despotism was, it seemed the right sort of government for Russia: 'If you ask yourself how Dostoevsky's characters should be governed, you will understand.'
central and local government. And where the father led the son was bound to follow.