The public response to the famine was tremendous. 'People of the most varied persuasions and temperaments threw themselves into the cause,' recalled Vasilii Maklakov. 'Many forsook their usual occupations and went about setting up canteens and, during the epidemics, helping the doctors. In this work not a few lost forever their positions and their health.' The zemstvos were the first off the mark, having already established their own provincial networks to distribute food and medicine. Prince Lvov, who was at that time chairman of the Tula provincial zemstvo, threw himself into the relief campaign as if it was a matter of his own life and death. It was a mark of his love for the peasants, with whom he had lived and worked for the previous ten years, that he should risk his own life to save theirs. And how romantic that at such a time, whilst working in a soup kitchen in Tambov province, he should meet and fall in love with his future wife. Such elevated feelings of compassion for the peasants were by no means unusual among progressive landowners of his sort. Hundreds of committees were formed by nobles and 'public men' to help raise money for the famine victims. Doctors volunteered for medical teams. Thousands of well-meaning citizens rushed to join the relief campaigns organized by the Free Economic Society and other voluntary bodies. Impassioned speeches were made at public meetings. Newspapers printed appeals in bold print on their front pages. And the students volunteered for relief work in a new 'Going to the People'.3
Among these volunteers was Anton Chekhov, who was a doctor as well as a playwright. He put aside his writing to work for his district zemstvo near Moscow. In August 1892 he wrote to a friend:
I have been appointed a cholera doctor, and my district encompasses twenty-five villages, four factories and a monastery. I am organizing things, setting up shelters and so on, and I'm lonely, because everything that has to do with cholera is alien to me, and the work, which requires constant
trips, talks and fuss and bustle, tires me out. There is no time to write. I abandoned literature long ago, and I'm poor and broke because I thought it desirable for myself and my independence to refuse the renumeration cholera doctors receive .. . The peasants are crude, unsanitary and mistrustful, but the thought that our labours will not be in vain makes it all unnoticeable.4
Tolstoy also gave up his writing to join the relief campaign. With his two eldest daughters he organized hundreds of canteens in the famine region, while Sonya, his wife, raised money from abroad. 'I cannot describe in simple words the utter destitution and suffering of these people,' he wrote to her at the end of October 1891. According to the peasant Sergei Semenov, who was a follower of Tolstoy and who joined him in his relief campaign, the great writer was so overcome by his experience of the peasants' suffering that his beard went grey, his hair became thinner and he lost a great deal of weight. The guilt-ridden Count blamed the famine crisis on the social order, the Orthodox Church* and the government. 'Everything has happened because of our own sin,' he wrote to a friend in December. 'We have cut ourselves off from our own brothers, and there is only one remedy — by repentance, by changing our lives, and by destroying the walls between us and the people.' Tolstoy broadened his condemnation of social inequality in his essay 'The Kingdom of God' (1892) and in the press. His message struck a deep chord in the moral conscience of the liberal public, plagued as they were by feelings of guilt on account of their privilege and alienation from the peasantry. Semenov captured this sense of shame when he wrote of the relief campaign:
With every day the need and misery of the peasants grew. The scenes of starvation were deeply distressing, and it was all the more disturbing to see that amidst all this suffering and death there were sprawling huge estates, beautiful and well-furnished manors, and that the grand old life of the squires, with its jolly hunts and balls, its banquets and its concerts, carried on as usual.5
For the guilt-ridden liberal public, serving 'the people' through the relief campaign was a means of paying off their 'debt' to them. And they now turned to Tolstoy as their moral leader and their champion against the sins of the old regime. His condemnation of the government turned him into a public hero, a
* The Orthodox Church, which had recently excommunicated Tolstoy, forbade the starving peasants to accept food from his relief campaign.
man of integrity whose word could be trusted as the truth on a subject which the regime had tried so hard to conceal.