A People's Tragedy: The Russian Revolution, 1891-1924

When I try to recall those vile abominations of that barbarous life in Russia, at times I find myself asking the question: is it worth while recording them? And with ever stronger conviction I find the answer is yes, because that was the real loathsome truth and to this day it is still valid. It is that truth which must be known down to the very roots, so that by tearing them up it can be completely erased from the memory, from the soul of man, from our whole oppressive and shameful life.

All the characters in Gorky's stories were divided into good or bad — both defined in terms of their social class — with little shading or variation. This moral absolutism also appealed to the workers' growing class and revolutionary consciousness. But, perhaps above all, it was the spirit of revolt in Gorky's

writing that made it so inspiring. 'The Stormy Petrel' (1895), his bombastic eulogy to the romantic revolutionary hero, disguised in the form of a falcon flying above the foamy waves, became the revolutionaries' hymn and was circulated through the underground in hundreds of printed, typed and hand-written copies. Like most workers, Kanatchikov had learned it by heart:

Intrepid petrel, even though you die,

Yet in the song of the bold and firm in spirit,

You'll always live as an example,

A proud summons — to freedom and light!⁵³

The workers also liked to read stories about the popular struggle for liberation in foreign lands. 'Whether it was the Albigenses battling against the Inquisition, the Garibaldians, or the Bulgarian nationalists, we saw them all as our kindred spirits,' wrote Kanatchikov. It did not matter that these foreign heroes had fought very different battles from their own, since the workers were quick to reinterpret these stories in the Russian context. Indeed the censorship of literature about Russia's own historic 'revolutionaries', such as Pugachev or the Decembrists, obliged them to look abroad for inspiration. In that good old Russian tradition of reading between the lines they seized upon the Netherland-ers' struggle against the Inquisition as a stirring example of the spirit and organization they would need in their own struggle against the police. It was the stories' emotional content, their romantic depiction of the rebel as a fighter for freedom and justice, that made them so inspiring. From them, Kanatchikov wrote, 'we learned the meaning of selflessness, the capacity to sacrifice oneself in the name of the common good'.⁵⁴ By identifying themselves with the fearless champions of human emancipation everywhere, they became converted to the revolution.

The special attraction of Marxism stemmed from the importance it gave to the role of the working class and to the idea of progress. The popular Marxist pamphlets of the late 1890s, which for the first time attracted large numbers of workers like Kanatchikov to the cause, drove home the lessons of the famine crisis of 1891: that the peasants were doomed to die out as a result of economic progress; that they were a relic of Russia's backward past who would be swept away by industry; and that the Populists' belief in the commune (to which many of the peasant-workers still adhered) was no longer tenable. Only Marxism could explain to workers why their peasant parents had become so poor, and why they had been forced into the cities. There was thus a close link between Kanatchikov's attachment to the Marxist exaltation of industrialization and progress and his own psychological rejection of his peasant past. Like many workers from the countryside, Kanatchikov invested much of his own

personality in the ideal of liberation through industry. He found 'poetry' in 'the rumblings and the puffings' of the factory. To workers like him Marxism appeared as a modern 'science' that explained in simple black-and-white terms why their world was structured the way that it was, and how it could be transformed.