A Song for Summer

"Like Chekhov," she said. "I was glad he died drinking champagne."

"Yes. A good man." He pointed out of the window at a stream just visible in the gathering dusk. "Do you see that river?"'

"Yes."

"My grandfather used to fish in there; it flows past our house about a hundred miles to the west."

"The Russian anarchist? The one who wanted to blow up the general but your grandmother wouldn't let him?"'

"That's the one. He loved fishing and he loved Chekhov. He was always quoting what Chekhov said about fishing."

"God won't subtract from man's appointed span the time spent fishing," she said. "Is that the one?"'

Marek nodded. "One day about two years before I was born he was sitting by the bank with his rod and my mother came and told them what she'd just heard in town. That Chekhov was dead. My grandfather was absolutely shattered. "To think that I should outlive Chekhov," he kept saying--and he didn't go fishing once for the rest of the summer."

"He was such a gentleman--Chekhov, I mean," said Ellen. "I always think of him coughing into little twists of sugar paper down in Yalta and writing to his wife in Moscow telling her not to worry; telling her to stay where she was and to do what she wanted. So he was an odd man for an anarchist to love so much."

"Perhaps. But he was not a very good anarchist, if you remember. And Chekhov had been to the penal colony in Sakhalin and written about the fate of the prisoners there. My grandfather was very influenced by that."

She was silent, thinking of the strange mix of ancestors that had gone to make the man beside her: Russian and English, German and Czech. No wonder he was at home in borderlands.

"Is this the sort of country Pettelsdorf is in?"'

"Yes. The woods are denser perhaps."

She thought of it, this tantalising demesne to which only the wounded were admitted. "You'll miss it when you go to America." He was planning to sail as soon as Isaac was on his way; this was almost the last time she would see him.

Marek shrugged. "It's best not to get too attached to places in the kind of world we live in now."

"Or to people, perhaps."

She was silent, remembering her mother's latest letter. They were digging trenches in Hyde Park, she had said, and asked her daughter to come home at once if there was any sort of crisis.

"Or to people," he agreed.

"Only I don't know how you would write music without attachment," she went on. "I suppose it would come out like Buddhist music; sort of prayer wheels tinkling in the wind and those sad horns. Not that I know anything about it," she added, suddenly embarrassed.

"On the contrary, you clearly know a lot about it--and about most other things," he said, and wondered why he wasn't simply kissing her instead of discussing Chekhov and the Nature of Attachment. "Even though you do look like a rather delectable ham with that ruffle on your head."

"It's not a ruffle; it's a proper nurse's cap," she said crossly. "I thought if I got one that wasn't stodgy it would have a resale value. After all, I bought it with your money and I want to pay you back."

More passengers came past, bound for the last sitting of dinner. "Are you certain you won't come and join me? We'd be back long before we got to the border."

It was hard to refuse; harder than she could have imagined, but she remembered the fear in Isaac's eyes and shook her head. "Tell me what you ate, won't you? In detail?"'

"I promise."

But still he didn't go. Was he waiting for someone?

"Isaac is convinced he won't ever play the violin again because of something they did to his hands in the camp," she said. "But I watched him when he was helping me in the kitchen. I could swear his hands are all right now; he made piped eclairs and you can't do those without good coordination. I wish you'd make him see. He wants us to start a restaurant."

He frowned. "Us? You mean you and him?"' Isaac must be seriously gone in love then, or mad. "Do you want to do that?"' he asked curtly.

She shook her head. She was about to make her way back to her compartment when a woman in a tight red satin skirt, a frilly gold lamè blouse and an outsize feather boa came along the corridor--a blonde of unbelievable vulgarity who smiled unashamedly at Marek.

And whose smile was returned. Marek excused himself and to Ellen's chagrin followed the woman's waggling behind towards the dining car.

One hour, another. The passengers returned from dinner but Marek did not come in with the promised champagne. Then the train slowed down and stopped in the kind of place that was the same all over Europe: custom sheds, army huts in which men sat playing cards, road barriers--and a station at which no one who could help it ever got out.

Ellen opened her nurse's bag, took out a syringe partly filled with a red liquid, and stood by the door. Two border guards got on: a young private and a sergeant. The Poles had been fought over too often: there was nothing casual about these lean-faced, unsmiling men.