A Song for Summer

This time she was forewarned. There was no hope, no expectation of angels bearing her aloft.

"Isaac got away safely down river," Marek had scrawled. "I've confirmed my passage and am sailing on the tenth from Genoa. Please say goodbye to Ellen for me once again and thank her for me. I shall always be in her debt and in yours. Marek."

The following morning Bennet sent for her. "The children tell me you've been invited to Vienna."

"Yes."

Damn, thought the headmaster. Damn, damn, damn. He had seen it happening but he had hoped somehow that she would be spared. She will get over it; she will light her lamp again, he told himself--but it had been the brightest, loveliest lamp he had seen in years.

"I think you should go," he said. "It's only a weekend, and you'd be back for the play."

"I've just been away."

"But you still have time off owing to you. Freya will look after your children."

"Very well," she said listlessly. "Sophie tells me that you have a dress?"'

She managed a smile then. "Yes," she said. "Sophie is right." She lifted her head, and the smile became a proper one. "I definitely have a dress."

Brigitta's persuasions in the cafè at St Polzen had been ineffectual. The intrigues of the gala interested Marek not at all and he felt no obligation to involve himself in her affairs.

Yet less than a week after their encounter, he found himself in Vienna, having decided to break his journey there on the way to Genoa. The person who had effected this change of plan was not the diva but a quiet, grey-haired, bespectacled man; the head of Universal Editions who had been Marek's music publishers for the past ten years. Herr Jaeger ran the firm from a dusty office in the Kohlmarkt; a place of hallowed associations for all those who cared for music, and it was his letter to Pettovice which had brought Marek to town.

Marek booked in at the Imperial, feeling in the mood for luxury after his week in the forest, telephoned Herr Jaeger, and went to have his hair cut in the Graben where the barber was displeased with the way his client's thick, springy hair formed itself into unexpected whorls.

"I don't know what you've been doing to it, sir," he grumbled. "It looks as though you've been sleeping in a hedge."

Marek did not enlighten him and the conversation turned inevitably to the gala. "You'll have seen the paper," said the barber. "She's threatening to cancel."

"She?"' asked Marek, but already he knew. "Seefeld," said the barber. "She's fallen out with the conductor: chap called Feuerbach. He's a stopgap because Weingartner's abroad."

"She's got no business to carry on like that," said a burly man in working clothes, the driver of a petrol tanker, having a trim in the neighbouring chair. "Tantrums the whole time. They ought to give the role to Baumberger."

"No, they oughtn't," said a fat man with a shiny red face, waiting his turn. He spoke in the thickest of dialects and wore the blue overalls of a meat porter. "Tantrums or not, she's the best. My mother's seen every Rosenkavalier they've done since 1911 and she swears there's no one to touch Seefeld."

"I didn't say she wasn't good," said the lorry driver. "I didn't say she wasn't great. But she's got the whole cast at sixes and sevens, and once you get on the wrong side of the Vienna Philharmonic, God help you."

"It's not the orchestra she's got the wrong side of, it's Feuerbach, and she's quite right. I heard him conduct Bruckner's Seventh in Linz and he was crap," said the meat porter, wiping his face with a spotted handkerchief.

Marek took the newspaper the barber handed him. That day there had been a massacre in Peking, the city of Bilbao fell to Franco and Moscow had executed another thirty intellectuals on the grounds of

"spying", but the headline of the Wiener Tageblatt said "Seefeld Threatens Cancellation. Gala in Jeopardy." Coming out into the street, Marek thought with exasperation of the Viennese, to whom nothing mattered except what was going on at their opera house.

And yet ... perhaps it was because he knew this was goodbye, because he foresaw much suffering for this absurd city, that he felt himself able to surrender to the sheer beauty of the Biedermeier houses, the compact and companionable streets, the domes of green and gold. If the Viennese fiddled while Rome burnt perhaps there were worse occupations, and when it was over--the catastrophe he saw so clearly--

they would still quarrel at the barbers about the high C of some soprano not yet born, or argue over the tessitura of a newly imported tenor.

Herr Jaeger was waiting in his dark little office.

"Herr Altenburg!" he said, rising to shake hands. "This is a pleasure. It was good of you to come in person."

"Not at all," said Marek, dropping his hat and gloves on to a bust of Mahler. "I see you share my view of what is to come."