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As he retired to a chair with a glass of punch, Johnson picked up the thread of a conversation apparently dropped when Galen entered the room. “Yes, I know I said March,” he told Stillingfleet impatiently, “but the work takes longer than expected—and there’s another project besides, a series called The Idler, which will begin next month. Tonson can wait.” His manner as he spoke was most peculiar—more strange tics of the head and hands. It was not a palsy, but something else altogether. Galen was torn between staring and looking away.

“Shakespeare,” Mrs. Vesey murmured to Galen, not quite sotto voce. “Dr. Johnson is working on a new edition of the plays, but I fear his enthusiasm fades.”

Johnson heard her, as she no doubt meant him to. “To do the work properly,” he said with dignity, “takes time.”

Mrs. Montagu laughed. “But you don’t dispute the lack of enthusiasm, I see. What play is it you edit now?”

A Midsummer Night’s Dream, and a piece of nonsense it is, too,” Johnson said. “Low comedy—quite unappealing, to discerning tastes—full of flower faeries and other silliness. What moral lesson are we to derive from them? Do not tell me he wrote of pagan times; it is a writer’s duty to make the world better, and—”

“And justice is a virtue independent of time or place,” Mrs. Montagu finished for him. “So you have said before. But must there be a lesson in faeries?”

The writer’s eyebrows drew together sharply. “There can be no excuse for them,” Johnson said, “if they serve not a moral purpose.”

Galen found himself on his feet again, with no sense of transition, and his glass of punch clutched so tightly in his hand he feared the delicate glass would shatter. “Why, sir, you might as well say there can be no excuse for a tree, or a sunset, or a—a human, if they serve not a moral purpose!”

Johnson’s white eyebrows rose. “Indeed there is not. The moral purpose of a human is to struggle against sin and seek out God, to redeem himself from the Fall. As for trees and sunsets, may I refer you to the Holy Bible, most particularly the Book of Genesis, wherein it tells us how the Lord created the day and the night—and therefore, we may presume, the transition between them—and also trees; and these are the stage upon which He put His most beloved creation, which is that human previously mentioned. But show to me, if you will, where the Bible speaks of faeries, and their place in God’s plan.”

While Galen sputtered, searching for words, he added—almost gently—“If, indeed, such creatures exist at all, which I find doubtful in the extreme.”

Heat and chill washed Galen’s body in alternating waves, so that he trembled like a leaf in the wind. “Not all things,” he managed, “that exist in the world, are laid out in scripture. But how can anything be that is not a part of God’s plan?”

Somehow Johnson managed to convey both disgust and delight, as if appalled at the triviality of the topic, but pleased that Galen had mustered an argument in its defence. “Just so. Even the very devils in Hell serve His plan, by tempting mankind to his baser nature, and therefore rendering meaningful the exercise of his free will. But if you wish to persuade me regarding faeries, Mr. St. Clair, you will have to do better than to hide behind divine ineffability.”

He wished for something to hide behind. Johnson had the air of a hunter merely waiting for the pheasant to break cover, so he could shoot it down. Oh, if only this debate had not come so soon! Galen was new to the Bluestocking Circle; he scarcely had his feet under him. Given more time and confidence, he would have defended his ideals without fear of ridicule. But here he was, a newcomer facing a man twice his age and twice his size, with all the weight of learning and reputation on Dr. Johnson’s side.

To flee would only invite contempt, though. Galen was aware of his audience—not just Johnson, but Mrs. Vesey and Mrs. Montagu, Mr. Stillingfleet, and all the other ladies, waiting with great enjoyment for his next move. And others, not present, who deserved his best attempt. Choosing his words carefully, Galen said, “I would say that faeries exist to bring a sense of wonder and beauty into life, that lifts the spirit and teaches it something of transcendence.”

“Transcendence!” Johnson barked a laugh. “From something called Mustardseed?”

“There is also Titania,” Galen countered, flushing. “Faeries must have their lower classes as well, just as our own society has its farmers and sailors, tradesmen and labourers, without whom the gentry and nobility would have no legs to stand upon.”

Johnson snorted. “So they must—if they existed at all. But this has been nothing more than a pretty exercise of the intellect, Mr. St. Clair. Faeries live only in peasant superstition and the inferior works of Shakespeare, where their only purpose is silly diversion.”

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