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It was indeed a frequent topic of discussion and personal fantasies — waking up at dawn with your lover and going to bed with him at dusk. In the movies it was shown with incredible ease, while in the realities of the world dawn and dusk happened once every 14 days. There were 14 days for each daylight period, and the same number for each night. Hollywood portrayed everything as if all the most important events took place necessarily in those days when dawn or dusk occurred, apparently to make a more tangible impression on the audience. Why it was necessary to build the entire cinema in this way, was still quite unclear, but the traits of romance penetrated the girls when watching these films from an early age.

— Well, both sunrise and sunset in reality look very different from what is shown there. And they don't last the same amount of time that they do. There it happens literally in an hour, and what I see lasts for 24 hours. And I could believe that the ancient filmmakers waited two weeks each

time for the right day to shoot everything for the best commercial benefit. But to make a day into an hour, that's just silly.

— Good. — Natalie nodded and took another sip of coffee, remembering the interesting discovery about the multifaceted nature of perception. — What is your conclusion?

— I don't have a conclusion yet. But what I can tell you is that what we're being told is a blatant lie. And all these measures of handing over found materials to the elders first are just a way to keep the truth out.

— That's a very immodest thing to say for your position of authority. — Natalie was beginning to like what he was saying. Sure, it was the kind of talk her buddies like Taylor were talking about, but it was still a lot better than boring on about new kinds of electrification and testing. And after all, they're talking about all this while sitting on the couch in his apartment, not over blueprints in the lab.

— Yeah, I know… And who better than me to remember such things when my best friend designed Tosca. — Morgan got up and headed for the bar. — You want a drink?

— Oh, so much news at once! — Nathalie laughed, also because she was glad that things were taking a more intimate turn. Alcohol was available in very small quantities on the station, and it was given out in very limited quantities on and before holidays. There were rumors that some of the higher administration had unlimited access to booze, but it never got any further than talk.


Especially after an engineer from the mining section had been deprived of his alcohol vouchers for a year for making such a public statement.

As for the construction of Tosca, there were only rumors about this process. Those who returned kept their mouths shut, and if they answered anything, it was only that they had seen nothing but an aluminum box of a cell with one toilet, a sink and a bed. What was known, however, was that the prison itself was separate from the general structure of the station, and was taken there by overcars. Given the way Morgan had just spoken of Tosca, he obviously knew a lot more than the others.

— I take it that's a sign of agreement. — Morgan concluded, opening a door in the bar and squatting down. — Whiskey, gin, cognac?

— To be honest, it doesn't tell me anything… I've tried whiskey a couple of times. It was interesting, of course, but I was thinking so much about Helium-3 at the time… And not only…" Natalie remembered her state of mind at the time. It had been three years ago, when she had been thinking more and more about the fact that she had never found someone. It was all the more difficult because she had begun to realize that she was somewhat detached from the rest of the group. After all, she was one of the few who had awakened on the station as a child of only 8 years of age, and she had to start not by living but by growing up among strangers. She often wondered if maybe her parents were among the others, just not remembering it. Don't remember, just like everyone else… That maybe there were sisters and brothers who didn't know about each other.

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