Читаем Ada, or Ador: A Family Chronicle полностью

‘I mentioned her only because an old sweetheart is easily annoyed by the wrong conclusions she jumps at like a cat not quite making a fence and then running off without trying again, and stopping to look back.’

‘Who told you about that lewd cordelude — I mean, interlude?’

‘Your father, mon cher — we saw a lot of him in the West. Ada supposed, at first, that Tapper was an invented name — that you fought your duel with another person — but that was before anybody heard of the other person’s death in Kalugano. Demon said you should have simply cudgeled him.’

‘I could not,’ said Van, ‘the rat was rotting away in a hospital bed.’

‘I meant the real Tapper,’ cried Lucette (who was making a complete mess of her visit), ‘not my poor, betrayed, poisoned, innocent teacher of music, whom not even Ada, unless she fibs, could cure of his impotence.’

‘Driblets,’ said Van.

‘Not necessarily his,’ said Lucette. ‘His wife’s lover played the triple viol. Look, I’ll borrow a book’ (scanning on the nearest bookshelf The Gitanilla, Clichy Clichés, Mertvago Forever, The Ugly New Englander) ‘and curl up, komondi, in the next room for a few minutes, while you — Oh, I adore The Slat Sign.’

‘There’s no hurry,’ said Van.

Pause (about fifteen minutes to go to the end of the act).

‘At the age often,’ said Lucette to say something, ‘I was at the Vieux-Rose Stopchin stage, but our (using, that day, that year, the unexpected, thronal, authorial, jocular, technically loose, forbidden, possessive plural in speaking of her to him) sister had read at that age, in three languages, many more books than I did at twelve. However! After an appalling illness in California, I recouped myself: the Pioneers vanquished the Pyogenes. I’m not showing off but do you happen to know a great favorite of mine: Herodas?’

‘Oh yes,’ answered Van negligently. ‘A ribald contemporary of Justinus, the Roman scholar. Yes, great stuff. Blinding blend of subtility and brilliant coarseness. You read it, dear, in the literal French translation with the Greek en regard — didn’t you? — but a friend of mine here showed me a scrap of new-found text, which you could not have seen, about two children, a brother and sister, who did it so often that they finally died in each other’s limbs, and could not be separated — it just stretched and stretched, and snapped back in place every time the perplexed parents let go. It is all very obscene, and very tragic, and terribly funny.’

‘No, I don’t know that passage,’ said Lucette. ‘But Van, why are you —’

‘Hay fever, hay fever!’ cried Van, searching five pockets at once for a handkerchief. Her stare of compassion and the fruitless search caused such a swell of grief that he preferred to stomp out of the room, snatching the letter, dropping it, picking it up, and retreating to the farthest room (redolent of her Degrasse) to read it in one gulp.

Перейти на страницу:

Похожие книги

Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор