All This Life

Rodney goes out the front door, walks over the small dune in the yard, and makes his way toward Sara’s. He should have stopped in his room to get his pen and pad. This is going to take a lot of words. But it was about time to Rodney, maximizing his time. So he decided to blow off the pen and pad in the name of getting to Sara as soon as possible.

The day is equal parts hot and achy, and Balloon Boy wonders if it’s even possible for him to get a concussion, after the damage already done. Hank’s fists connected hard against his body and Rodney feels a bit woozy.

He hears a ringing, which isn’t a good sign. He might be concussed. Then he realizes it’s Old Erma’s wind chimes a couple houses up. Obviously, there is no midday wind, but she sits on her porch, clanging her cane along all the chimes, like a prisoner running a tin cup across her cell’s bars. She smiles as Rodney passes and calls to him, “Hey there, sweetie. You good?”

“I’m,” he says, and six seconds later, “good.”

“I love music,” she says, sending her cane over the wind chimes again.

He sees a lizard darting up a wall and a swarm of ants slowly mutilating a moth and carrying the bits off.

A toddler on a tricycle rides it in slow laps around an aboveground pool in a front yard. Rodney waves at her. The young girl doesn’t break concentration, slowly circling while wearing a ratty red bathing suit.

He’s at the end of the cul-de-sac, standing in front of Sara’s house. There are so many other places he’d like to be — namely any place where Hank is not — and yet here is where he must be. Sara needs him.

Hank has a Rottweiler the size of a Mini Cooper, but even that won’t stop Balloon Boy from warning her. The dog barks and froths on the porch, and despite being terrified Rodney walks right by it to ring the bell.

Hank comes to the door and stands, tapping his foot and smiling. He doesn’t have a shirt on and Rodney hates how small he feels next to Hank.

“You wanna throw some more hands with me?” asks Hank.

“Sa. Ra,” says Balloon Boy.

“Nope.”

The Mini Cooper keeps barking.

“Sa,” he says, “ra.”

“She’s busy not talking to you.”

“Sa! Ra!”

“Don’t poke a grizzly with a stick,” says Hank. “We bite.” He rubs Bernard’s head. “We bite and it’s no bueno for you.”

“Sa! Ra!”

Sara finally comes to the screen door and says, “What do you need, Rodney?”

“They,” he says, then five seconds later, “come.”

“Who?”

“Dad. . un. . cle.”

“They’re coming here?” Sara says.

Balloon Boy nods.

“We no speaky the retard,” says Hank with a brash Chinese accent, walking back inside with his hound in tow.

“Tell me what’s wrong,” Sara says.

These moments in Balloon Boy’s life are the worst, the times when he needs words to make someone understand what’s happening without the aid of his pad and pen. It would have only taken thirty seconds to run to his room and grab them. Now he has to humiliate himself in front of her, one syllable at a time.

And if she could ever see what’s been written down in his pad, he thinks it might rekindle what they had. Balloon Boy has heard stories of people losing one of their senses and then the others gaining strength. For Rodney, this compensation happens in his pad. He cannot communicate orally and yet he is able to write down everything, not only jotting recaps of each day, but he even allows himself to write little one-act plays. He bought a copy of a Sam Shepard collection at a garage sale, the volume containing seven or eight plays, and Rodney has read them a hundred times. He’s studied every line that Shepard put together. His favorite play is “Curse of the Starving Class.” It’s about a son who is doing his damnedest to avoid his parents’ mistakes, the death sentence of turning into them, a story that Rodney can not only relate to, but holds as his biggest fear. He’s already fallen off the balloon, but he so badly wishes that he doesn’t have to go down the same pit that swallowed his parents. He doesn’t want to be a coward that takes off, prioritizing herself above her family. And he doesn’t want to be a coward that stays behind, drinking too much and wasting his life. He wants to shuck these curses, do better.

His one-acts are all set in Traurig, taking people and settings he knows and then spinning the stories from there.

So if Sara took the time to read a few pages, Balloon Boy has no doubt their friendship would wake from hibernation. Chances are he’ll never kiss her again, and he’s accepted that over the years, but there’s no reason they can’t be better friends, especially if she reads and understands that he is still the same person.

She exits the screen door and they’re standing only a few feet apart.

“You know you can tell me,” she says. “Oh, man. Your face.”

“I’m,” he says, and two seconds later, “fine.”

“Hank did that to you. I never wanted that to happen. I’m sorry.”

He says it again: “I’m. Fine.”

“Oh, you’re a tough guy now?” she says.

Rodney flexes his scrawny arms, nods, and smiles.