American Gods

At eleven that night Shadow started shaking. He was just entering Middletown. He decided he needed sleep, or just not to drive any longer, and he pulled up in front of a Night’s Inn, paid thirty-five dollars, cash in advance, for his ground-floor room, and went into the bathroom. A sad cockroach lay on its back in the middle of the tiled floor. Shadow took a towel and cleaned off the inside of the tub with it, then ran a bath. In the main room he took off his clothes and put them on the bed. The bruises on his torso were dark and vivid. He sat in the bath, watching the color of the bathwater change. Then, naked, he washed his socks and briefs and T-shirt in the basin, wrung them out and hung them on the clothesline that pulled out from the wall above the bathtub. He left the cockroach where it was, out of respect for the dead.

Shadow climbed into the bed. He wondered about watching an adult movie, but the pay-per-view device by the phone needed a credit card. Then again, he was not convinced that it would make him feel any better to watch other people have sex that he wasn’t having. He turned on the TV for company, pressed the Sleep button on the remote three times, which would make the TV set turn itself off automatically in forty-five minutes, by which time he figured he’d be fast asleep. It was a quarter to midnight.

The picture was motel-fuzzy, and the colors swam across the screen. He flipped from late show to late show in the televisual wasteland, unable to focus. Someone was demonstrating something that did something in the kitchen, and replaced a dozen other kitchen utensils, none of which Shadow possessed. Flip. A man in a suit explained that these were the end times and that Jesus—a four-or five-syllable word the way the man pronounced it—would make Shadow’s business prosper and thrive if Shadow sent him money. Flip: an episode of M*A*S*H ended and a Dick Van Dyke episode began.

Shadow hadn’t seen an episode of The Dick Van Dyke Show for years, but there was something comforting about the 1965 black-and-white world it painted, and he put the channel changer down beside the bed, and turned off the bedside light. He watched the show, eyes slowly closing, aware that something was odd. He had not seen many episodes of The Dick Van Dyke Show, so he was not surprised that it was an episode he could not remember seeing before. What he found strange was the tone.

All the regulars were concerned about Rob’s drinking: he was missing days at work. They went to his home: he had locked himself in the bedroom, and had to be persuaded to come out: he was staggering drunk, but still pretty funny. His friends, played by Morey Amsterdam and Rose Marie, left after getting some good gags in. Then, when Rob’s wife went to remonstrate with him, he hit her, hard, in the face. She sat down on the floor and began to cry, not in that famous Mary Tyler Moore wail, but in small, helpless sobs, hugging herself and whispering, “Don’t hit me, please, I’ll do anything, just don’t hit me any more.”

“What the fuck is this?” said Shadow, aloud.

The picture dissolved into phosphor-dot fuzz. When it came back, The Dick Van Dyke Show had, inexplicably, become I Love Lucy. Lucy was trying to persuade Ricky to let her replace their old icebox with a new refrigerator. When he left, however, she walked over to the couch and sat down, crossing her ankles, resting her hands in her lap, and staring out patiently in black and white across the years.

“Shadow?” she said. “We need to talk.”

Shadow said nothing. She opened her purse and took out a cigarette, lit it with an expensive silver lighter, put the lighter away. “I’m talking to you,” she said. “Well?”

“This is crazy,” said Shadow.

“Like the rest of your life is sane? Give me a fucking break.”

“Whatever. Lucille Ball talking to me from the TV is weirder by several orders of magnitude than anything that’s happened to me so far,” said Shadow.

“It’s not Lucille Ball. It’s Lucy Ricardo. And you know something—I’m not even her. It’s just an easy way to look, given the context. That’s all.” She shifted uncomfortably on the sofa.

“Who are you?” asked Shadow.

“Okay,” she said. “Good question. I’m the idiot box. I’m the TV. I’m the all-seeing eye and the world of the cathode ray. I’m the boob tube. I’m the little shrine the family gathers to adore.”

“You’re the television? Or someone in the television?”

“The TV’s the altar. I’m what people are sacrificing to.”

“What do they sacrifice?” asked Shadow.

“Their time, mostly,” said Lucy. “Sometimes each other.” She raised two fingers, blew imaginary gun smoke from the tips. Then she winked, a big old I Love Lucy wink.

“You’re a god?” said Shadow.

Lucy smirked, and took a lady-like puff of her cigarette. “You could say that,” she said.

“Sam says hi,” said Shadow.

“What? Who’s Sam? What are you talking about?”