American Gods

“It’s perfectly simple,” said Wednesday. “In other countries, over the years, people recognized the places of power. Sometimes it would be a natural formation, sometimes it would just be a place that was, somehow, special. They knew that something important was happening there, that there was some focusing point, some channel, some window to the Immanent. And so they would build temples or cathedrals, or erect stone circles, or . . . well, you get the idea.”

“There are churches all across the States, though,” said Shadow.

“In every town. Sometimes on every block. And about as significant, in this context, as dentists’ offices. No, in the USA, people still get the call, or some of them, and they feel themselves being called to from the transcendent void, and they respond to it by building a model out of beer bottles of somewhere they’ve never visited, or by erecting a gigantic bat house in some part of the country that bats have traditionally declined to visit. Roadside attractions: people feel themselves being pulled to places where, in other parts of the world, they would recognize that part of themselves that is truly transcendent, and buy a hot dog and walk around, feeling satisfied on a level they cannot truly describe, and profoundly dissatisfied on a level beneath that.”

“You have some pretty whacked-out theories,” said Shadow.

“Nothing theoretical about it, young man,” said Wednesday. “You should have figured that out by now.”

There was only one ticket window open. “We stop selling tickets in half an hour,” said the girl. “It takes at least two hours to walk around, you see.”

Wednesday paid for their tickets in cash.

“Where’s the rock?” asked Shadow.

“Under the house,” said Wednesday.

“Where’s the house?”

Wednesday put his finger to his lips, and they walked forward. Farther in, a player piano was playing something that was intended to be Ravel’s Bolero. The place seemed to be a geometrically reconfigured 1960s bachelor pad, with open stone work, pile carpeting, and magnificently ugly mushroom-shaped stained-glass lampshades. Up a winding staircase was another room filled with knickknacks.

“They say this was built by Frank Lloyd Wright’s evil twin,” said Wednesday. “Frank Lloyd Wrong.” He chuckled at his joke.

“I saw that on a T-shirt,” said Shadow.

Up and down more stairs, and now they were in a long, long room, made of glass, that protruded, needlelike, out over the leafless black-and-white countryside hundreds of feet below them. Shadow stood and watched the snow tumble and spin.

“This is the House on the Rock?” he asked, puzzled.

“More or less. This is the Infinity Room, part of the actual house, although a late addition. But no, my young friend, we have not scratched the tiniest surface of what the house has to offer.”

“So according to your theory,” said Shadow, “Walt Disney World would be the holiest place in America.”

Wednesday frowned, and stroked his beard. “Walt Disney bought some orange groves in the middle of Florida and built a tourist town on them. No magic there of any kind. I think there might be something real in the original Disneyland. There may be some power there, although twisted, and hard to access. But some parts of Florida are filled with real magic. You just have to keep your eyes open. Ah, for the mermaids of Weeki Wachee . . . Follow me, this way.”

Everywhere was the sound of music: jangling, awkward music, ever so slightly off the beat and out of time. Wednesday took a five-dollar bill and put it into a change machine, receiving a handful of brass-colored metal coins in return. He tossed one to Shadow, who caught it, and, realizing that a small boy was watching him, held it up between forefinger and thumb and vanished it. The small boy ran over to his mother, who was inspecting one of the ubiquitous Santa Clauses—OVER SIX THOUSAND ON DISPLAY! the signs read—and he tugged urgently at the hem of her coat.

Shadow followed Wednesday outside briefly, and then followed the signs to the Streets of Yesterday.

“Forty years ago Alex Jordan—his face is on the token you have palmed in your right hand, Shadow—began to build a house on a high jut of rock in a field he did not own, and even he could not have told you why. And people came to see him build it—the curious, and the puzzled, and those who were neither and who could not honestly have told you why they came. So he did what any sensible American male of his generation would do: he began to charge them money—nothing much. A nickel each, perhaps. Or a quarter. And he continued building, and the people kept coming.

“So he took those quarters and nickels and made something even bigger and stranger. He built these warehouses on the ground beneath the house, and filled them with things for people to see, and then the people came to see them. Millions of people come here every year.”

“Why?”