Among Others

“Half way,” Glorfindel said, and he didn’t mean I was half dead without her or that she was halfway through or any of that, he meant that I was halfway through Babel 17, and if I went on I would never find out how it came out.

There may be stranger reasons for being alive.

There are books. There’s Auntie Teg and Grampar. There’s Sam, and Gill. There’s interlibrary loan. There are books you can fall into and pull up over your head. There’s the distant hope of a karass sometime in the future. There’s Glorfindel who really cares about me as much as a fairy can care about anything.

I let go. Reluctantly, but I let go. She clung. She held on, so that letting go wasn’t enough. If I wanted to live, I had to push her away, through the connection that bound us, though she was crying and calling to me and holding on as hard as she could. It is the hardest thing I have ever done, worse than when she died. Worse than when they dragged me off her and the ambulance took her away and let my mother go with her, smiling, but not me. Worse than when Auntie Teg told me she was dead.

Mor was always braver than I was, more practical, nicer, just generally a better person. She was the better half of us.

But she was afraid now, and lonely and bereft, and dead, and I had to push her away. She changed as she clung, so she was like ivy, all over me, and seaweed, tendrils clutching, and slime, impossible to shake off. Now I wanted to get her off I couldn’t, and even though she was changing I knew she was still Mor all the time. I could feel that she was. I was afraid. I didn’t want to hurt her. In the end, I put my weight down on my leg. The pain broke the bond, the same way it frightens the fairies. The pain was something my living body could do, the same as picking up oak leaves and bringing them up a mountain.

She went on, then, or tried to but the twilight had became darkness, and couldn’t go through the door, it wasn’t there any more. She stood by the trees looking like herself again, and very young and lost, and I almost reached out for her again. Then she was gone, in an eyeblink, the way fairies go.

It was a long walk back in the dark, alone. Every step I was afraid of meeting my mother, come to see what had gone wrong with her plan to get them all. It was because of Mor she could try it, I see that now, because Mor was her daughter, her blood. I kept thinking that I couldn’t run, and she could. Mor felt further away than ever. The fairies had all fled the pain, naturally. Even Babel 17, which was right there in my bag, felt a long way away. But Auntie Teg was waiting with the car, and Grampar at Fedw Hir, so pleased to see me, he’d have been heartbroken if I’d gone on. The bed was empty where the man had been making the blubba blubba noises, they’d already taken his empty body away. He was lucky to be able to go tonight. People who die in November have to wait a whole year. Like Mor. What happened to her? Will she have to wait until next year?

Thursday 1st November 1979

The more I think about it, the less I understand about what happened. Does every valley have an opening like that? How about people who die in flat places? Is it actually old, older than the ironworks, or did the ironworks open it up where before it was smooth hillside? And where did they go? And was that really them, all of them? And what about Mor? Where is she now? Did my mother get her after all? Will the fairies help her? What about the rowan trees? I never heard that the rowan is the tree of death—that’s supposed to be the yew, the graveyard yew. But it was oak leaves, dry gold oak leaves. There’s one left in my bag. It doesn’t mean someone got left out, Mor had one, and there were still leaves crunching on the ground when I left, I brought more than enough. I thought I shook them all out, but there was one inside the back cover of Babel 17. What an odd book! Does language really shape the way it’s possible to think? I mean, like that?

I only seem to have questions today.