An H. P. Lovecraft Encyclopedia

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Page 187

liam Beckford’s Vathek,referring to the nocturnal buzzing of insects). It was translated into Greek in 950 by Theodorus Philetas but subsequently banned by the patriarch Michael. HPL then attributes a Latin translation of 1228 to Olaus Wormius, mistakenly believing that this seventeenth-century Danish scholar lived in the thirteenth century (see “Regner Lodbrog’s Epicedium”). HPL notes an English translation by John Dee—a detail Frank Belknap Long provided in “The Space-Eaters” ( WT, July 1928), written earlier in 1927 and read by HPL in manuscript (see SL2.171–72). In a late letter ( SL5.418) HPL attempts a derivation of the Greek title: “ nekros,corpse; nomos,law; eikon, image=An Image [or Picture] of the Law of the Dead.” Unfortunately, HPL is almost entirely wrong. By the laws of Greek etymology, the word would derive from nekros, nemo(to divide, hence to examine or classify), and -ikon(neuter adjectival suffix)=“An examination or classification of the dead.”

How HPL came up with the idea of the Necronomiconis unclear. His first mythical book was the Pnakotic Manuscripts, cited in “Polaris” (1918); an unnamed book is mentioned in “The Statement of Randolph Carter” (1919). Donald R.Burleson (“Lovecraft: The Hawthorne Influence,” Extrapolation22 [Fall 1981]: 267) notes that an “old volume in a large library,—every one to be afraid to unclasp and open it, because it was said to be a book of magic” cited in one of Nathaniel Hawthorne’s notebooks, which HPL is known to have read around 1920; but recall that among the “infinite array of stage properties” that HPL in “Supernatural Horror in Literature” identifies in the standard Gothic novel were “mouldy hidden manuscripts.” Poe’s tales are also full of allusions to real and imaginary books. Probably no single source is to be identified in HPL’s use of the mythical book.

HPL’s longest quotations from the Necronomiconoccur in “The Festival” (1923) and “The Dunwich Horror” (1928). Indeed, the book is rarely quoted elsewhere; instead, its contents are merely alluded to. Robert M.Price (“Genres in the Lovecraftian Library,” CryptNo. 3 [Candlemas 1982]: 14–17) identifies a shift in HPL’s use of the book, from a demonology (guide to heretical beliefs) to a grimoire (a book of spells and incantations). Still later, as HPL “demythologized” his imaginary pantheon of “gods” and revealed them to be merely extraterrestrial aliens, the Necronomiconis shown to be considerably in error in regard to the true nature of these entities: in At the Mountains of Madnessthe narrator notes that the Old Ones of Antarctica were “the originals of the fiendish elder myths which things like the Pnakotic Manuscripts and the Necronomiconaffrightedly hint about.”

When asked late in life by James Blish why he did not write the Necronomiconhimself, HPL noted that in “The Dunwich Horror” he had cited from page 751 of the work, making the writing of such a book a very extensive undertaking. He wisely added: “…one can never produceanything even a tenth as terrible and impressive as one can awesomely hintabout. If anyone were to try to writethe Necronomicon,it would disappoint all those who have shuddered at cryptic references to it.” This has not stopped several individuals over the past twenty-five years from producing books bearing the title Necronomicon,some of which are indeed clever hoaxes but surely very far from HPL’s own conception of the work.

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See August Derleth, “The Making of a Hoax” (in DB); Mark Owings, The Necronomicon: A Study (Baltimore: Mirage Associates, 1967); Robert M.Price, “Higher Criticism and the Necronomicon” LS No. 6 (Spring 1982): 3–13; Dan Clore, “The Lurker at the Threshold of Interpretation: Hoax Necronomiconsand Paratextual Noise,” LSNo. 42 (Summer 2001): 64–74.

“Nemesis.”

Poem (55 lines in 11 stanzas); written on November 1, 1917. First published in Vagrant(June 1918); rpt. WT(April 1924).

Using the meter of Swinburne’s Hertha,HPL notes that the poem “presents the conception, tenable to the orthodox mind, that nightmares are the punishments meted out to the soul for sins committed in previous incarnations—perhaps millions of years ago!” ( SL1.51). HPL parodies the poem in “A Brumalian Wish” (among his Christmas greetings). Alfred Galpin wrote an imitation of it in “SelenaioPhantasma” ( Conservative,July 1918). HPL used ll. 8–10 as the epigraph to “The Haunter of the Dark” (1935).