Anam Cara

Joan Chittister, Illuminated Life: Monastic Wisdom for Seekers of Light, Orbis Books, 2000.

Hélène Cixous and Mireille Calle Gruber, Rootprints, Memory and Life Writing, London, 1997.

Samuel Taylor Coleridge, Biographia Literaria, London, 1975.

Ned Crosby, Leaves on the River, Galway, 2001.

Catherine David, The Beauty of Gesture: The Invisible Keyboard of Piano and Tai Chi, Berkeley, 1996.

Dante, Inferno, trans. John D. Sinclair, Oxford University Press, 1961.

Dante, The New Life, trans. Dante Gabriel Rossetti, New York, 2002.

Arthur C. Danto, ‘Beauty for Ashes’, in Regarding Beauty: A View of the Twentieth Century by Neal Benezra and Olga M. Viso, Washington, 1999.

Peter Davison (ed.), Reviving the Muse: Essays on Music after Modernism, Brinkworth, Wilts, 2001.

John Donne, The Complete English Poems, New York, 1991.

Denis Donoghue, The Sovereign Ghost: Studies in Imagination, New York, 1976.

Maureen McCarthy Draper, The Nature of Music: Beauty, Sound and Healing, New York, 2001.

Hajo Düchting, Paul Klee: Painting Music, Munich/New York, 1997.

Isadora Duncan, excerpts from her writings, in The Vision of Modern Dance by Jean Morrison Brown, London, 1979.

Meister Eckhart, The Essential Sermons, Commentaries, Treatises and Defense, trans. Edmund Colledge, O.S.A., and Bernard McGinn, New York, 1981.

Umberto Eco, The Aesthetics of Thomas Aquinas, Harvard University Press, 1988.

Umberto Eco, Art and Beauty in the Middle Ages, Yale University Press, 1986.

Ralph Waldo Emerson, Selections, ed. Stephen E. Whicher, Boston, 1960.

Epictetus, The Art of Living: A New Interpretation by Sharon Lebell, San Francisco, 1994.

Marsilio Ficino, Meditations on the Soul, Vermont, 1996.

Victoria Finlay, Colour: Travels through the Paintbox, London, 2002.

Philip Fisher, Wonder: The Rainbow and the Aesthetics of Rare Experiences, Harvard, 1998.

Hans-Georg Gadamer, The Relevance of the Beautiful and Other Essays, Cambridge, 1986.

John Gage, Color and Meaning: Art, Science and Symbolism, University of Chicago Press, 1999.

William Gass, On Being Blue: A Philosophical Inquiry, Boston, 1976.

William H. Gass, ‘Goodness Knows Nothing of Beauty: On the Distance between Morality and Art’ in Harper’s Magazine, April, 1987.

Etienne Gilson, The Arts of the Beautiful, New York, 1965.

Louise Gluck, Proofs and Theories: Essays on Poetry, New York, 1994.

Goethes Werke, Zwölfter Band: Philosophische und naturwissenschaftliche Schriften, Berlin/Weimar, 1981.

W.S. Graham, Collected Poems, 1942–1977. London, 1979.

John Hadfield, A Book of Beauty, London, 1963.

Richard Harries, Art and the Beauty of God, London, 1993.

Daniel Harris, Cute, Quaint, Hungry and Romantic: The Aesthetics of Consumerism, New York, 2000.

Heraclitus, Fragments: The Collected Wisdom of Heraclitus, trans. Brooks Haxton, Penguin Press, 2001.

George Herbert, The Complete English Works, Alfred A. Knopf, 1995.

Patrick Heron, Painter as Critic: Selected Writings, ed. Mel Gooding, London, 1998.

Geoffrey Hill, Tenebrae, London, 1978.

James Hillman, ‘The Practice of Beauty’ in The Sphinx, 4, 1992.

William Hogarth, The Analysis of Beauty, Yale University Press, 1997.

Richard Holmes, Coleridge: Darker Reflections, London, 1998.

Gerard Manley Hopkins, Poems and Prose, sel. and ed. W.H. Gardner, Penguin Books, 1976.

Immram Curaig Máile Dúin, in Gerard Murphy (ed.), Early Irish Lyrics, Eighth to Twelfth Century, Clarendon Press, Oxford, 1977.

Derek Jarman, Chroma: A Book of Colour, London, 1995.

St John of the Cross, Poems, trans. Roy Campbell, London, 2000.