Our age is also very functional. There are goals and purposes and programs for everything. The lovely thing about Eckhart is his absolute suspicion of the program. People got hooked on a program which became an end in itself. Our world today is haunted and obsessed by functional thinking which sees everything in terms of a process. Eckhart keeps God and the mystical way totally free of that thinking. He says that God is God and without a why:
The rose is without why
She blooms because she blooms
She does not care for herself
Asks not if she is seen
One of the beautiful things in Eckhart is the idea of letting things be. So many people wonder what they should do, how they should work. For Eckhart, none of this matters. The most important thing to focus on is how you should be. That is really mindfulness of presence. All intimacy, love, belonging, creativity is not when the grubby little hands of our functional minds get into the mystery, but when we stand back and let the mystery be, become enveloped in it so that it extends us and deepens us.
Finally, Eckhart has the lovely idea of
Awaken to the mystery of being here
and enter the quiet immensity of your own presence.
Have joy and peace in the temple of your senses.
Receive encouragement when new frontiers beckon.
Respond to the call of your gift and the courage to follow its path.
Let the flame of anger free you of all falsity.
May warmth of heart keep your presence aflame.
May anxiety never linger about you.
May your outer dignity mirror an inner dignity of soul.
Take time to celebrate the quiet miracles that seek no attention.
Be consoled in the secret symmetry of your soul.
May you experience each day as a sacred gift woven around the heart of wonder.
From
“Landscape has a soul and a presence, and landscape—living in the mode of silence—is always wrapped in seamless prayer.”
For the radio series “This Place Speaks to Me,” I invited contributors to choose a particular location that appealed to them and “enthuse” about that appeal in a location recording. They chose a range of sites—a town, a bog, a jail, a monastic ruin. John O’Donohue chose the “holy mountain” of Máméan in Connemara. Máméan has association with St. Patrick and has long been a place of pilgrimage. So it was that John and I began our pilgrimage on a misty morning in August 2000.
MÁMÉAN
On this beautiful foggy morning—the ideal landscape to see these mountains in—we are at the foot of Máméan in the middle of the Connemara mountains. There is a deep layer of cloud halfway down the mountain. The light is very mute. In certain places the morning sun is coming through the clouds, making the fog very white, and there is a stream flowing to our right, coming down the mountain. There is a great stillness. The sheep are all in their first stage of morning activity, grazing away, in their lovely Zen kind of nonchalance. We are about to ascend…
I wasn’t born here in Connemara but I have lived here a long time and I really find the landscape an incredible presence, a companion in my life. People often think of the Connemara landscape as very lonesome. I live in a little cottage down here, and in some strange way you are never lonesome here, because if you look out the window, there is the constant drama of the landscape unfolding before you in the different light that is always at play here. I have never known a landscape that is as dependent on light as the Connemara landscape. When the light is here the whole place is luminous and really alive with such subtlety of color. When the light goes, the landscape is so eerie and in the grip of gravity. I’ve always been very moved by this, and several years ago I tried to express it in a poem called “Connemara in Our Mind.”
It gave us
the hungry landscapes
resting upon
the unalleviated
bog-dream,
put us out
there, where
tenderness never settled,
except for the odd nest
of grouse mutterings
in the grieving rushes,
washed our eyes
in the glories of light.
In an instant
the whole place flares
in a glaze of pools,
as if a kind sun
let a red net
sink through the bog,
reach down to a forgotten
infancy of granite,
and dredge up
a haul of colors
that play and sparkle
through the smother of bog,
pinks, yellows,
amber and orange.