All he had wanted was to buy himself some time, but he felt comfortable. No one was throwing things. He seemed to have plenty of room in his head to think in. He was aware of everyone in the room: the tourists and the serving staff, and the people over at the bar. He could see everything: he could see the barman measuring out a cocktail, and the old woman in the rear of the room filling a large plastic mug with coffee. He was still terrified, still angry, but he took all the terror and the anger, and he put it into the song, and let it all become a song about lazing and loving. As he sang, he thought.
He sang. In his song, he told them all exactly what he planned to do under the boardwalk, and it mostly involved making love.
The singer in the red dress was smiling and snapping her fingers and shimmying her body to the music. She leaned into the keyboard player’s microphone and began to harmonize.
He kept his eyes on Grahame Coats.
As he entered the last chorus, he began to clap his hands above his head, and soon the whole room was clapping along with him, diners and waiters and chefs, everyone except Grahame Coats, whose hands were beneath the tablecloth, and Daisy, whose hands were flat on the table. Daisy was looking at him as if he was not simply barking mad, but had picked an extremely odd moment to discover his inner Drifters.
The audience clapped, and Fat Charlie smiled and he sang, and as he sang he knew, without any shadow of a doubt, that everything was going to be all right. They were going to be just fine, him and Spider and Daisy and Rosie, too, wherever she was, they’d be okay. He knew what he was going to do: it was foolish and unlikely and the act of an idiot, but it would work. And as the last notes of the song faded away, he said, “There’s a young lady at the table I was sitting at. Her name’s Daisy Day. She’s from England too. Daisy, can you wave at everyone?”
Daisy gave him a sick look, but she raised a hand from the table, and she waved.
“There’s something I wanted to say to Daisy. She doesn’t know I’m going to say this.”
The room was quiet. Fat Charlie stared at Daisy, willing her to understand, to play along.
Daisy nodded.
The diners applauded.
“You got a ring for her?” asked the singer.
He put his hand into his pocket. “Here,” he said to Daisy. “This is for you.” He put his arms around her and kissed her. If anyone is going to get shot, he thought, it will be now. Then the kiss was over, and people were shaking his hand and hugging him—one man, in town, he said, for the music festival, insisted on giving Fat Charlie his card—and now Daisy was holding the lime he had given her with a very strange expression on her face; and when he looked back to the table they had been sitting at, Grahame Coats was gone.
CHAPTER
THIRTEEN
WHICH
PROVES
TO
BE
UNLUCKY FOR
SOME
THE BIRDS
WERE EXCITED, NOW. THEY WERE CAWING AND CRYING and chattering in the treetops.He thought about lying on the ground and being devoured. Overall, he decided, it was a lousy way to go. He wasn’t even certain that he’d be able to regrow a liver, while he was pretty sure that whatever was stalking him had no plans to stop at just the liver anyway.
He began to wrench at the stake. He counted to three, and then, as best as he could and as much as he could, jerked both of his arms toward him so they’d tense the rope and pull the stake, then he counted to three and did it again.
It had about as much effect as if he was to try to pull a mountain across a road. One two three…
He wondered if the beast would come soon.
One two three…
Somewhere, someone was singing, he could hear it. And the song made Spider smile. He found himself wishing that he still had a tongue: he’d stick it out at the tiger when it finally made its appearance. The thought gave him strength.
On two three…
And the stake gave and shifted in his hands.
One more pull and the stake came out of the ground, slick as a sword sliding out of a stone.