Rosie made it to the top of the steps first, and she pushed open the wine cellar door. She stumbled into the house. She waited for her mother, then she slammed and bolted the cellar door. The power was out here, but the moon was high and nearly full, and, after the darkness, the pallid moonlight coming through the kitchen windows might as well have been floodlighting.
“Phone the police,” said her mother.
“Where’s the phone?”
“How the hell should I know where the phone is? He’s still down there.”
“Right,” said Rosie, wondering whether she should find a phone to call the police or just get out of the house, but before she had reached a decision, it was too late.
There was a bang so loud it hurt her ears, and the door to the cellar crashed open.
The shadow came out of the cellar.
It was real. She knew it was real. She was looking at it. But it was impossible: it was the shadow of a great cat, shaggy and huge. Strangely, though, when the moonlight touched it, the shadow seemed
It was going to kill her. This was where it would end.
Her mother said, “It wants you, Rosie.”
“I know.”
Rosie picked up the nearest large object, a wooden block that had once held knives, and she threw it at the shadow as hard as she could, and then, without waiting to see if it made contact, she moved as fast as she could out of the kitchen, into the hallway. She knew where the front door was—
Something dark, something four-footed, moved faster: it bounded over her head, landing almost silently in front of her.
Rosie backed up against the wall. Her mouth was dry.
The beast was between them and the front door, and it was padding slowly toward Rosie, as if it had all the time in the world.
Her mother ran out of the kitchen then, then, ran past Rosie—tottered down the moonlit corridor toward the great shadow, her arms flailing. With her thin fists she punched the thing in the ribs. There was a pause, as if the world was holding its breath, and then it turned on her. A blur of motion and Rosie’s mother was down on the ground, while the shadow shook her like a dog with a rag doll between its teeth.
The doorbell rang.
Rosie wanted to call for help but instead she found she was screaming, loudly and insistently. Rosie, when confronted with an unexpected spider in a bathtub, was capable of screaming like a B-movie actress on her first encounter with a man in a rubber suit. Now she was in a dark house containing a shadowy tiger and a potential serial killer, and one, perhaps both, of those entities, had just attacked her mother. Her head thought of a couple of courses of action (
Something banged at the front door.
Her mother lay on the floor in a patch of moonlight, and the shadow crouched above her, and it threw back its head and it roared, a deep rattling roar of fear and challenge and possession.
By the same token, she was certain that there was no pale woman in the moonlight, even though she could see her walking down the corridor, a woman with blonde hair and the long, long legs and narrow hips of a dancer. The woman stopped when she reached the shadow of the tiger. She said, “Hello, Grahame.”
The shadow-beast lifted its massive head and growled.
“Don’t think you can hide from me in that silly animal costume,” said the woman. She did not look pleased.
Rosie realized that she could see the window through the woman’s upper body, and she backed up until she was pressing hard against the wall.
The beast growled again, this time a little more uncertainly.
The woman said, “I don’t believe in ghosts, Grahame. I spent my life, my whole life, not believing in ghosts. And then I met you. You let Morris’s career run aground. You steal from us. You murder me. And finally, to add insult to injury, you force me to believe in ghosts.”
The shadowy big-cat-shape was whimpering now, and backing down the hall.
“Don’t think you can avoid me like that, you useless little man. You can pretend to be a tiger all you like. You aren’t a tiger. You’re a rat. No, that’s an insult to a noble and numerous species of rodent. You’re less than a rat. You’re a gerbil. You’re a