Anansi Boys

While none of the people he spoke to were exactly what you could call helpful, they were still all extremely friendly. Fat Charlie stopped several times on his day’s expedition to the south and refilled his water bottle: he stopped at cafés and at private houses. Everyone was so pleased to see him, even if they didn’t know anything about Mrs. Higgler. He got back to the Dolphin Hotel in time for dinner.

On the following day he went north. On his way back to Williamstown, in the late afternoon, he stopped on a cliff top, dismounted, and walked his bike down to the entry gate of a luxurious house that sat on its own, overlooking the bay. He pressed the speakerphone button and said hello, but no one replied. A large black car sat in the driveway. Fat Charlie wondered if perhaps the place was deserted, but a curtain twitched in an upper room.

He pressed the button again. “Hullo,” he said. “Just wanted to see if I could fill my water bottle here.”

There was no reply. Perhaps he had only imagined that there was someone at the window. He seemed extremely prone to imagining things here: he started to fancy that he was being watched, not by someone in the house, but by someone or something in the bushes that bordered the road. “Sorry to have bothered you,” he said into the speaker, and clambered back onto his bike. It was downhill from here all the way to Williamstown. He was sure that he’d pass a café or two on the way, or another house, a friendly one.

He was on his way down the road—the cliffs had become a steepish hill down to the sea—when a black car came up behind him and accelerated forward with a roar. Too late, Fat Charlie realized that the driver had not seen him, for there was a long scrape of car against the bike’s handlebars, and Fat Charlie found himself tumbling, with the bike, down the hill. The black car drove on.

Fat Charlie picked himself up halfway down the hill. “That could have been nasty,” he said aloud. The handlebars were twisted. He hauled his bike back up the hill and onto the road. A low bass rumble alerted him to the approach of a minibus, and he waved it down.

“Can I put my bike in the back?”

“No room,” said the driver, but he produced several bungee cords from beneath his seat, and used them to fasten the bike onto the roof of the bus. Then he grinned. “You must be the Englishman with the lime.”

“I don’t have it on me. It’s back at the hotel.”

Fat Charlie squeezed onto the bus, where the booming bass resolved itself, extremely improbably, into Deep Purple’s “Smoke on the Water.” Fat Charlie squeezed in next to a large woman with a chicken on her lap. Behind them two white girls chattered about the parties they had attended the previous night and the shortcomings of the temporary boyfriends they had accumulated during their holiday.

Fat Charlie noticed the black car—a Mercedes—as it came back up the road. It had a long scratch along one side. He felt guilty, hoping his bike hadn’t scraped the paintwork too badly. The windows were tinted so dark that the car might have been driving itself—

Then one of the white girls tapped Fat Charlie on the shoulder and asked him if he knew of any good parties on the island that night, and when he said he didn’t, started telling him about one that she’d been to in a cave two nights before, where there was a swimming pool and a sound system and lights and everyfink, and so Fat Charlie completely failed to notice that the black Mercedes was now following the minibus into Williamstown, and that it only went on its way once Fat Charlie had retrieved his bike from the roof of the minibus (“next time, you should bring the lime”) and carried the bike into the hotel lobby.

Only then did the car return to the house on the cliff top.

Benjamin the concierge examined the bike and told Fat Charlie not to worry, and they’d have it all fixed and good as new by tomorrow.

Fat Charlie went back to his hotel room, the color of underwater, where his lime sat, like a small green Buddha, on the countertop.

“You’re no help,” he told the lime. This was unfair. It was only a lime; there was nothing special about it at all. It was doing the best it could.

Stories are webs, interconnected strand to strand, and you follow each story to the center, because the center is the end. Each person is a strand of story.

Daisy, for example.

Daisy could not have lasted as long as she had in the police force without having a sensible side to her nature, which was mostly all anybody saw. She respected laws, and she respected rules. She understood that many of these rules are perfectly arbitrary—decisions about where one could park, for example, or what hours shops were permitted to open—but that even these rules helped the big picture. They kept society safe. They kept things secure.

Her flatmate, Carol, thought she’d gone mad.

“You can’t just leave and say you’re going on holiday. It doesn’t work like that. You’re not on a TV cop show, you know. You can’t just zoom all over the world to follow up a lead.”