Another Man's Moccasins

There was a counter to one side, and a bundle of broken chairs huddled in the corner, but there wasn’t much else. The stairs to the second floor were about a quarter of the way down and ascended to the middle of a dance hall. When I got up there, I noticed that there was a doorway to the balcony overlooking the cliffs and the town on one side; on the other was a stage and a doorway that led to the wings.

I walked around the railing and stood in the blinding glow of the four windows where the balcony’s half-paned door captured the floating motes that hung in the still air. It was stifling on the second floor, and I could feel the sweat streaking down between my shoulder blades. I took off my hat, hung it on the butt of my Colt, and ran my fingers through my hair as I took the three steps to the stage.

There was an old upright piano, which was pushed against the back wall with the bench tucked underneath. I flipped the dust-laden keyboard cover up and touched a chipped F. It was flat but resonated through the silence, raising the thought of ghostly dance steps where there had been no dancers for almost a century.

I thought about the story Lucian had told me that Red Angus, the sheriff before Lucian, had told him and that the sheriff before that had told him. The double murder had occurred on December 31, 1900—New Year’s Eve, just a few seconds after midnight, to be exact. There had been a big dance to celebrate the incoming year, and I guess Maxfield Holinshed hadn’t liked the unidentified woman who was kissing his father to welcome in 1901, so he pulled a gun right there on the dance floor and shot and killed them both. He was hung in the street below just over two weeks later. Lucian said he still had young Max’s journal that recorded the two weeks that had intervened and that someday he’d let me see it, just to raise my hair.

I pulled the bench out, placed my hat on top of the piano, and sat in front of the yellowed-white and grayed-black keys. I tinkered out a one-fingered version of the old cavalry favorite, “The Girl I Left Behind Me.”

It was horrible, and any ghosts that might’ve been in the place I had certainly driven out. Most of the soundboard was dead, what was left was remarkably out of tune, and I had a feeling that there was more than one mouse nest inside the ignored instrument.

I could always go get my friend the rattlesnake and put him to work.

I plinked away, trying to find the live portion of the board, and thought about Ho Thi Paquet, and how abandoned her body looked alongside the highway tunnel; about Tran Van Tuyen, and the look on his face when I had questioned him at the cemetery; and, finally, about Mai Kim. I thought about the photo in the lining of the purse, about who I had been in Vietnam, and the way Virgil White Buffalo watched the children on the playground across the street from the jail.

Even in the heat of the midday, I could feel the ghosts crowding in around me, their hands on my shoulders, their feet tapping to the nonexistent beat. I felt a cold wave pass over my back, which made me shiver in the hundred degrees, and I stopped playing. The palpable feeling of company was as oppressive as the heat, and I knew someone was watching me.

I placed a hand on the piano bench and turned.

Nothing.

The windows were hazed with the dust of full daylight, the diffused glow stretching across the whitewashed floor like identities. I sat still and listened.

Nothing.

I watched and waited for the motes to swirl in time with the long-dead ghosts of Maxfield Holinshed, his father Horace, and the mysterious woman who had set their lives in desperate motion, but they didn’t. The dust hung there, almost motionless. Out of the corner of my eye, I thought I saw movement, but every time I looked, there was nothing. I laughed at myself and wondered if maybe the rattlesnake had made me jumpy, or if I was just getting scary in my middle age. I stood up and closed the piano, scooted the bench back underneath it, and thought about Cady in the ballroom of the VA, where there was no music, but there was.

I walked to the edge of the stage, considered what my two-hundred-and-now-forty-pound frame might do to the hundred-year-old floor up here and then to the one downstairs when I crashed through this one, and crossed to the doorway and took the steps down.

On the way back into town, Henry told me that the Dunnigans’ turquoise and white Ford had pulled in at the top of the cut-off leading to Bailey but then had backed out and continued up the road. “Probably looking to get lucky.”

I peered at him from above the shooting guard of my sunglasses while I radioed Saizarbitoria to check in on Tuyen. He sounded only mildly disgruntled that he had been watching the green Land Rover outside the Hole in the Wall Motel for the last hour and a half.

Static. “He’s probably taking a nap; I wish I was.”

I keyed the mic. “We’re on our way into town, and he’s supposed to have lunch with us.”

Static. “You want me to get him?”