Anton Chekhov

Stanislavsky, K. S.,A. P. Chekhov v Moskovskom Khudozhest­vennom teatre, ed. V. L. Vilenkin (Moscow: Izd. Muzeya MKhATa, 1947).

, 'Chayka' rezhisserskaya partitura. (Leningrad-Mos­cow: Iskusstvo, 1938). Reprint: Rezhisserskie ekzemplyary K. S. Stanislavskogo, vol. 2. (Moscow: Iskusstvo, 1981).

, Moya zhizn v iskusstve, in Sobranie sochineniya, vol.

1 (Moscow: Iskusstvo, 1954).

Stroyeva, M. Chekhov i Khudozhestvenny teatr. (Moscow: Iskusstvo, 1955).

, VI. I. Nemirovich-Danchenko vedet repetitsiyu. 'Tri

sestry' A. P. Chekhova v postanovka MKhAT, 1940g. (Mos­cow: Iskusstvo, 1965).

Surkov, E. D., ed. Chekhov i teatr:pisma, feletony, sovremennikio Chekhove-dramaturge (Moscow: Iskusstvo, 1961).

Yermilov, V., 'Chayka' materialy i issledovaniya. (Moscow: Iskusstvo, 1946).

, Dramaturgiya Chekhova. (Moscow: Sovetsky

pisatel, 1948; enlarged ed., 1954).

Zingerman, B., 'Vodevili A. P. Chekhova,' Voprosy Teatra '72. (Moscow: Vserossiyskoe teatralnoe obshchestvo, 1973).

II. Works in Other Languages

Balukhaty, S., ed., The Seagull produced by Stanislavsky. Tr. D.

Magarshack (London: Dennis Dobson, 1952). Barricelli, Jean-Pierre, ed., Chekhov's great plays. A critical anthology (New York and London: New York University Press, 1981).

Bentley, Eric, 'Chekhov as a playwright,' Kenyon Review 2, 2 (Spring 1949): 227-50.

, 'Craftsmanship in Uncle Vanya,' in In Search of

Theatre (New York: Vintage books, 1959). Brahms, Caryl, Reflections in a Lake. A study of Chekhov's four

greatest plays (London: Weidenfeld and Nicolson, 1976). Bruford, W. H., Chekhov and his Russia: a sociological study.

(London: Kegan Paul, Trench, Trubner, 1947). 'Chekhov Centenary Issue,' World Theatre 9, 2 (1960). Chudakov, A. P., Chekhov's Poetics. Tr. F. J. Cruise and D.

Dragt. (Ann Arbor: Ardis, 1983). Clyman, Toby W., ed.A Chekhov Companion (Westport, Conn.:

Greenwood Press, 1985). Eekman, Thomas, ed. Anton Chekhov, 1860-1960. Some essays (Leyden: E.J. Brill, 1960).

and Paul Debreczeny, eds., Chekhov's art of writing.

A collection of critical essays (Columbus, O.: Slavic Publishers, 1977).

Emeljanow, Victor, ed., Chekhov. The Critical Heritage (London: Routledge & Kegan Paul, 1981).

Gottlieb, Vera, Chekhov and the vaudeville. A study of Chekhov's one-act plays (Cambridge: Cambridge University Press, 1982).

Hingley, Ronald, Chekhov. A biographical and critical study. Revised ed. (London: George Allen and Unwin, 1966).

, A new life of Chekhov (London: Oxford University

Press, 1976).

Hristic, Jovan, Le theatre de Tchekhov. Tr. Harita and Francis Wybrands (Lausanne: L'Age d'homme, 1982).

Jackson, Robert Louis, ed., Chekhov. A collection of critical essays (Englewood Cliffs, N.J.: Prentice-Hall, 1967).

Koteliansky, S. S., Anton Tchekhov: Literary and theatrical reminiscences (London: George Routledge and Sons, 1927).

Magarshack, David, Chekhov the dramatist (London: John Lehmann, 1952, reprint: London: Eyre Methuen, 1980).

, The real Chekhov. An introduction to Chekhov's last

plays (London: George Allen and Unwin, 1972).

Moravcevich, Nicholas, 'Chekhov and naturalism: from affinity to divergence,' Comparative Drama 4 (Winter, 1970-71): 219-40.

, 'The obligatory scenes in Chekhov's dramas,' Drama

Critique (Chicago) 9, 2 (Spring 1966): 97-104.

Nemirovich-Danchenko, Vladimir, My Life in the Russian Theatre. Tr. J. Cournos (London: Geoffrey Bles, 1937).