Then they looked at me, and I told them everything. The things I couldn’t tell my friends, the things it had been hard for me to tell even you. About Sarah, I mean, and what I learned about her after she died. What I learned about myself. What I did in the house alone, what I thought of doing. All of it: everything that had been waiting to come out for nine months—263 days. I even told them how I’d said to you, that afternoon in the park, “What I really want is a genie,” and you’d said, “You’d better go abroad. They don’t do genies in central London.”
They do, actually, now—they do everything, everywhere—but I thought that sisters know best. And then I told them about my saving my money and coming away from the city, and away from my family, towards what I knew nothing about. I suppose they were bored—it was almost light now, and we could see the colors changing through the little window, which looked out onto a wall—but they looked as if they were interested, and when I was finished, the small one leaned forward and kissed me on the cheek. The other one—Jin, she told me her name was (the smaller one was Nit)—asked me if I had a handkerchief. I gave her mine, and she brushed at her eyes a little. Something in the night had moved her.
We’d overstayed our deposit, of course, but I’m not sure that any of us wanted to go. It was cool in the room, and it was quiet; the lights made everything different. Finally the tall one said, “Go home now,” and we went down to where the street was empty, just overturned tables and rubbish in the thin grey light, and a sort of bulldozer machine that noisily went back and forth, back and forth, collecting all the relics of the night. It was like coming back to something real after a night in a very different country
The girls took me to a tuk-tuk, one of these fourwheeled rickshaws they have here, and bargained on my behalf with the boy in the front seat; they were going to go home on the backs of motorcycle taxis across the street. “You good man,” said Jin. “You want meet again, you call.” And, taking a flyer from a McDonald’s nearby, she scribbled down her number on the back of an advert for a Happy Meal.
“I see you tonight? Same place?” said Nit, and I said, “Who knows? Maybe you will.”
I got into the back of the rickshaw then and sat under the red light, as the boy banged his horn and reeled into the traffic. In daytime the magic of the city was gone, except this time it wasn’t gone at all—only postponed, perhaps. The djiinn was beside me on the seat—the djinn was inside me—and this evening, or tomorrow night, or the evening after that, anything, everything seemed possible. Just telling your story, I thought: could any crime be so secret?
Pico Iyer
Pico Iyer is the author of several books about globalism and travel, including
Halfhead
Colin Cotterill
Samart Wichaiwong, a.k.a. Teacher Wong, awoke to find his legs off the mattress and flailing. It was as if his conscious self was fleeing his subconscious in panic. It wasn’t the first time Halfhead had chased him out of a dream. She was no man’s fantasy. She always reminded him of the he-’n-she act at the transvestite cabarets. The singer, tucked between the stage curtains, turns to the left and he’s a man, to the right and she’s a woman. Remarkable. Except Halfhead turns to the left and she’s a