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God's Demon

Wayne Barlowe




Contents


[

note from dongquang: I inserted 22 illustrations by Wayne Barlowe, including his notes. The images were copied from his website (

http://www.waynebarlowe.com

). Please re-arrange them at the places you feel most approriate. Those amazing illustrations should make the reading experience all the more enjoyable. Cheers! And a big thank you to whoever scanned this book!!

]

Prologue


Chapter One


Chapter Two


Chapter Three


Chapter Four


Chapter Five


Chapter Six


Chapter Seven


Chapter Eight


Chapter Nine


Chapter Ten


Chapter Eleven


Chapter Twelve


Chapter Thirteen


Chapter Fourteen


Chapter Fifteen


Chapter Sixteen


Chapter Seventeen


Chapter Eighteen


Chapter Nineteen


Chapter Twenty


Chapter Twenty-One


Chapter Twenty-Two


Chapter Twenty-Three


Chapter Twenty-Four


Chapter Twenty-Five


Chapter Twenty-Six


Chapter Twenty-Seven


Chapter Twenty-Eight


Chapter Twenty-Nine


Chapter Thirty


Chapter Thirty-One


Chapter Thirty-Two


Chapter Thirty-Three


Chapter Thirty-Four


Epilogue



Copyright




For Shawna




Acknowledgments


This book was, by any measure, an ambitious undertaking for me. There was not one moment during its creation that I was not certain I had made a terrible mistake in breaking away from painting and drawing to attempt it. During the arduous process of writing, however, I was bolstered by people both alive and dead, without whom I could never have finished the task. First and foremost among them was my wife, Shawna McCarthy, who told me more times than I can count that this was a journey that I was capable of completing. This book could never have been finished without her wisdom and unflagging encouragement, and my gratitude to her is total.

I must also thank my wonderful agent and friend, Russell Galen, for his continued support and valuable comments. Thanks must also go to my editor, Pat LoBrutto, who understood this project from the start and whose humor and insights into matters both heavenly and infernal were always welcome.

Thanks also to my great friend, TyRuben Ellingson, for his deep understanding of the labyrinth that is my creative mind.

God's Demon would not exist but for the inspiration provided me by John Milton's Paradise Lost. That work of genius, arguably the greatest poem written in the English language, set me on the path to first visualize Hell in artwork and then in writing. Like Dante's Virgil, Milton's spirit was a constant, guiding companion.

John Dee's Complete Enochian Dictionary provided me with the basis for the language used throughout this book in both the pure "angelic" form and the somewhat corrupted "demonic" form. Dr. Dee's unique work was derived from conversations he had in 1581 with two angels and, therefore, seemed to me authoritative.

To enrich your reading of God's Demon with many of the images of Hell that I have created, please visit www.godsdemon.com.




"Is this the Region, this the Soil, the Clime,"


Said then the Lost Archangel, "this the seat


That we must change for Heav'n, this mournful gloom


For that celestial light?"

—John Milton


Paradise Lost

Awake, arise, or be for ever fall'n.

—John Milton


Paradise Lost




Prologue


Barlowe's Inferno - (from Barlowe's Inferno - acrylic on panel) - The unpredictable chaos of Hell is present even in the most advanced of its cities. Dis, like all of its sister cities, suffers from wrenching, deafening upheavals that tear through the city breaking away and sending archi-organic buildings high into the air. These float about, sometimes leaving the city's wards entirely, making their way into the darkness of the Wastes where they are never seen again. Do they eventually land only to be in habited by Salamandrine Men or Abyssals? Few have ever found out and fewer still have survived to tell of it.

It was impossible for me to resist putting myself in the Hell that I created. Of course, I could not appear inappropriately whole and so, much like the demons themselves, I took up hook and tong and made myself suitable for place. When in Rome...


 


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