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She remained crouched and crossed the farm. The area around the house seemed slightly elevated above the farm. Hirono stopped at the edge of the farm and after looking back she observed the house again. It was your average, old, single-story farmhouse. But unlike the previous house she'd hid inside, the roof was tiled. An unpaved road came in from the left side of the farm. There was a light truck parked in front of the house. She also saw a moped and bicycle.

The water at the first house Hirono hid in wasn't running.

This one was probably no different. Hirono looked to her right and left...

...and found a well at the far end of the area from the entrance road. It even had a beam holding a bucket. There were thin tangerine trees with plenty of leaves surrounding the well. Their branches were high, so she could tell there was no one hiding under the trees.

Since she couldn't use her left hand, she tucked her gun in the front. Then she groped around the farm soil under the moonlight. She found a fist-sized rock.

She tossed it upward. Tracing an arc, the rock crashed against the roof. It rattled down the rows of tiles and fell off the edge onto the ground with a thud.

Hirono gripped the gun and waited. She checked her watch. Then she waited again.

Five minutes passed. No one appeared at the windows or entrance. Hirono quickly stepped up to the property and ran toward the well. Her head was spinning from thirst and fever.

The well was a concrete tube approximately eighty centimeters high. Hirono clutched the brim of the well.

Inside it, the moonlight revealed a small circle six to seven meters down. Her own shadow was also reflected inside the circle.

It was water. Ah, it wasn't dry.

Once again Hirono tucked her revolver into her skirt and removed her day pack from her aching left shoulder with her right hand. It landed on the dirt. Then she held the worn out rope hanging from the bucket beam.

As she pulled the rope, a small bucket appeared on the surface of the water. Hirono frantically tugged at the rope. The bucket beam was equipped with what looked like an ancient pulley which allowed you to retrieve water with two buckets. Her left arm was too numb to move, but with every pull she held the rope against the concrete edge of the well with her elbow and managed to pull the bucket upward.

The bucket finally reached the edge of the well. She held the rope with her elbow once more, grabbed the handle of the bucket, and placed it on the edge of the well. It was water. The bucket was brimming with water. She didn't care if it ended up making her sick. Her body needed water now.

But then she discovered something and let out a small shriek.

There was a tiny fingernail-sized frog swimming in the water. In the moonlight she saw its small, gross eyes and its glistening back. (In broad daylight, their color would have been an disgusting fluorescent green, or a dirty brown.) It was her least favorite animal, and the mere sight of one with its slimy skin was enough to send chills down her spine.

But Hirono did her best to quell her disgust. She didn't have the strength to pull the bucket up again. Her thirst was unbearable now. She would have to get rid of that frog, and then—

The frog climbed onto the edge of the bucket and leapt onto Hirono. Hirono let out a small shriek and twisted her body. So what if this was a matter of life or death. She just couldn't stand frogs. She somehow managed to dodge the frog—but her right hand let go of the bucket, which suddenly fell back into the well with a splash—and that was that.

Hirono groaned and looked over in the direction of the frog. I'll kill it. I'll kill that fucking frog!

But then...something else caught her eye.

She saw a black figure in a student coat stop a mere four or five meters in front of her.

Hirono's back had been facing the house. Now she saw the back door behind the figure was ajar.

With the figure frozen in its footsteps, Hirono suddenly recalled a childhood memory—the game where you have to freeze when the person who was "it" turns around—but that was irrelevant. The issue at stake was that this thin, short, ugly boy—come to think of it, he also resembled a frog—Toshinori Oda (Male Student No. 4) was holding a thin, ribbonlike object with both hands. Hirono realized it was a belt.

Now look at this. Toshinori Oda, the privileged son of a company president whose house was located in the town's wealthy district. He was supposed to be good at violin (apparently he'd won some competition). A pretentious, well bred, quiet boy. And this kid was now...

...trying to kill me!

As if the pause on a frozen video image had been suddenly released, Toshinori moved, swung his belt up, and attacked her. The large buckle sparkled in the moonlight. It could easily gouge out some flesh on impact. The distance between them was only four meters...

Enough.

Hirono's right hand went for her gun. She felt the grip, by now a familiar sensation.

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Научная Фантастика / Ужасы / Ужасы и мистика / Боевая фантастика