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She wanted so badly to see him now. Sure, she was still a kid. But in her own adolescent way, she really did love him. This was the first time she ever had serious feelings for someone. She wanted a single moment with him so she could tell him this much. She wanted to tell this person— kind enough to describe her as "beautiful" even if it was only referring to her tea ceremony skills—"I'm still a kid, so I may not understand what it really means to be in love. But I think I am in love with you. I really love you." Something like that.

Something rustled in the bushes. Kayoko looked up. She wiped her eyes with her left hand and got up. Her feet moved automatically and took a step back from the source of the sound.

A boy in a school coat—Hiroki Sugimura (Male Student No. 11). His face and torso emerged from the bushes. The sleeves of his coat and shirt were torn off, revealing his right arm. The white cloth wrapped around his shoulder was stained with blood and—perhaps it was because of the rain—it oozed pink. And his hand was holding...a gun.

Hiroki's jaw dropped, but what really caught her attention when she saw his grimy face were his eyes. They were gleaming.

Kayoko felt a sudden surge of fear. How could she have not noticed sooner before he got this close, how—

"Kotohiki—"

Kayoko let out a shriek and turned on her heels. She entered the bushes. She didn't care about the branches scraping against her face and hair, or getting drenched in the rain. She just wanted to escape. If I don't...I'll get killed!

She made her way through the bushes. There was a twisting path approximately two meters wide. Kayoko instinctively decided to run down there. If she ran uphill, he would catch up, but if she ran down then maybe...

She heard a rustling sound behind her. "Kotohiki!" It was Hiroki's voice. He's coming after me!

Kayoko summoned all her strength from her tired body and ran as fast as she could. I can't believe this, I should have been jogging instead of learning tea ceremony if I'd known this was going to happen.

"Kotohiki! Stop! Kotohiki!"

If she had been calmer—that is, if this were a scene in a movie and she were in the theater watching the actor performing as she munched on some popcorn—then it would have been obvious he was pleading with her. But right now it sounded like he was saying: "Kotohiki! You better stop! I'm gonna kill you!"

She wasn't going to stop. The path forked. She took the left one.

The area opened up on her left. Rows of tangerine trees spread out in the dull light coming through the silky rain. Beyond them was a thicket of short trees. If she could enter that area—

It's impossible, she thought. She had at least fifty more meters to get there. It was hopeless. While she struggled through the uneven rows of tangerine trees, Hiroki Sugimura would catch up to her and shoot her from behind with his gun.

Kayoko clenched her teeth. She didn't want to, but she had to. After all, he was trying to kill her.

She stopped on her right foot and spun around to her left.

By the time she had turned around the gun was in her hands. That thing called the safety had been released ever since she'd read the manual. The manual said you didn't have to raise the hammer, all you had to do was pull the trigger. The rest was...up to her.

Less than ten meters away, Hiroki Sugimura stood still on the slope, his eyes wide open.

It's too late. You think I won't shoot?

Kayoko extended her arms and squeezed the trigger. With a pop, a small flame exploded from the muzzle, and her arms jerked back from the recoil.

Hiroki's large frame spun around as if he were hit. He fell back.

Kayoko ran over to him. She had to finish him off, finish him off! So he wouldn't get back up again!

Kayoko stopped approximately two meters away from him. There was a small hole in the left side of his chest (she'd actually aimed at his stomach), and the fabric around it had turned dark black. But his sprawled right hand still held his gun. He still might raise it. The head. I have to aim for his head.

Hiroki turned his head around and looked at Kayoko. Kayoko pointed the gun and pulled the trig—

She stopped...because Hiroki had tossed his gun aside. If he'd had that kind of strength he could have pulled the trigger. What was going on?

The gun spun around once and landed on its side.

Huh?

Kayoko stood still, holding the gun, her short hair drenched in the rain.

"Now listen." He lay on the messy path ridden now with puddles as he said painfully, somehow fixing his eyes on Kayoko, "You have to burn some fresh wood. Build...two fires. I have a lighter in my pocket. Use that...then you'll hear a bird call."

Kayoko heard him, but she had no idea what he was talking about. She had no idea what was going on.

Hiroki continued. "Follow that bird call. Then you'll find Shuya Nanahara...Noriko Nakagawa, and Shogo Kawada. They'll help you. You got that?"

"Wh-what?"

Hiroki seemed to be smiling. He repeated patiently, "Build two fires. Then find the bird call."

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика