Бесславные ублюдки, бешеные псы. Вселенная Квентина Тарантино

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Schlipphacke H. Inglourious Basterds and the Gender of Revenge // Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York — London — New Delhi — Sydney: Bloomsbury, 2012.

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Sobchak V. Afterword: The Postmorbid Condition // Screening Violence / Prince S. (ed.). New Brunswick, NJ: Rutgers University Press, 2000.

Srinivasan S. The Grand Illousion // Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York — London — New Delhi — Sydney: Blooms-bury, 2012.

Tarantino Q. True Romance // http://www.dailyscript.com/scripts/True_Romance.pdf (проверено 04.08.2017)

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Tarantino Q. The Hateful Eight. First Draft. 12-12-2013 // https://indiegroundflms.fles.wordpress.com/2014/01/1390849759320. pdf.

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Temoney K. E. The “D” Is Silent, but Human Rights Are Not: Django Unchained as Human Rights Discourse // Quentin Taran-tino’s Django Unchained: The Continuation of Metacinema / Speck O. C. (ed.). New York — London — New Delhi — Sydney: Bloomsbury, 2014.

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Willis S. ‘Fire!’ in a Crowded Teater: Liquidating History in Inglourious Basterds // Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema / Dassanowsky R. Von (ed.). New York — London — New Delhi — Sydney: Bloomsbury, 2012.

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