Библейские мотивы. Сюжеты Писания в классической музыке

[410] 2 Пет. 3:10.

[411] Откр. 16:17–18.

[412] Мф. 13:49.

[413] Откр. 20:12.

[414] Еф. 2:8–9.

[415] 1 Кор. 15:52.

[416] Мф. 24:30.

[417] Ин. 5:24.

[418] 2 Кор. 5:10.

[419] Откр. 7:9-10.

[420] Откр. 8:8.

[421] Откр. 9:7.

[422] Откр. 6:13.

[423] Откр. 6:13–14.

[424] Откр. 16:21.

[425] 1 Кор. 15:53.

[426] Current Musicology. Issue 52–55. Columbia University, 1993. P. 74.

[427] Sainsbury J. S., Choron A. A dictionary of Musicians. Sainsbury and company, 1824.

[428] https://www.mosconsv.ru/upload/images/Documents/DiserCand/nikiforov_disser.pdf.

[429] http://early-music.narod.ru/biblioteka/telemann-rabei-01.htm.

[430] https://www.earlymusicamerica.org/emag-feature-article/telemann-360/.

[431] https://cyberleninka.ru/article/n/komicheskiy-teatr-georga-filippa-telemana/viewer.

[432] https://www.mosconsv.ru/upload/images/Documents/DiserCand/nikiforov_disser.pdf.

[433] https://hugepdf.com/download/xviii-5b0575576ae44_pdf.

[434] Chapin K. Counterpoint: From The Bees Or For The Birds? Telemann And Early Eighteenth-Century Quarrels With Tradition, Music & Letters, Vol. 92, No. 3 (AUGUST 2011), pp. 377–409. URL: https://www.jstor.org/stable/23013010.

[435] https://core.ac.uk/download/2731799.pdf.

[436] https://docplayer.com/82234514-Georg-filipp-teleman-tvorchestvo-stilistika-poetika.html.

[437] Smither H. E. A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries. UNC Press, 2012. P. 66.

[438] https://www2.ak.tu-berlin.de/~akgroup/ak_pub/abschlussarbeiten/2008/GimpelLenard_MagA.pdf.

[439] Musikalische Korrespondenz der Teutschen Filharmonischen Gesellschaft, Teutsche Philharmonische Gesellschaft, 1792. URL: https://goo-gl.me/KC4C2.

[440] 2 Пет. 3:3–4.

[441] 2 Пет. 3:7.

[442] http://www.lib.pushkinskijdom.ru/Portals/3/PDF/XVIII/22_tom_XVIII/Vageman/Vageman.pdf.

[443] Откр. 7:16–17.

[444] Ис. 66:15.

[445] https://www.brilliantclassics.com/media/1121202/95150-TELEMANN-Edition-COMPLETE-Liner-Notes-Sung-Texts-Download.pdf.

[446] https://www.baroque.org/Att/1043.

[447] https://tempestadimare.org/blog/telemann-flowers-in-philadelphia-gardens/.

[448] North M. Material Delight and the Joy of Living' Cultural Consumption in the Age of Enlightenment in Germany. Routlege, 2008.

[449] Over B., Nieden G. zur. Operatic Pasticcios in 18th-Century Europe: Contexts, Materials and Aesthetics. Transcript publishing, 2021. P. 163.

[450] Van Til M. George Frideric Handel: A Music Lover's Guide to His Life, His Faith & the Development of Messiah and His Other Oratorios. WordPower Publishing, 2007. P. 298.

[451] http://www.musicweb-international.com/classrev/2020/Sep/Telemann-colourful-8573900.htm.