Billy said there wasn’t and now he lies here, thinking it over, waiting for sleep. On Monday he’ll be moving into the little yellow house, leased for him by his agent. His
‘Be sure to write something between funnybooks,’ Giorgio said, half-joking and half not. ‘You know, get into character. Live the part.’
Maybe he will. Maybe he will do that. Even if what he writes isn’t very good, it will pass the time. Autobiography was his suggestion. Giorgio suggested a novel, not because he thinks Billy’s bright enough to write one but because Billy could say that when someone asked, as someone will. Probably lots of someones, once he gets to know people in the Gerard Tower.
He’s slipping toward sleep when a cool idea wakes him up: why not a combination of the two? Why not a novel that’s actually an autobiography, one written not by the Billy Summers who reads Zola and Hardy and even plowed his way through
I might give it a try, he thinks. With nothing but time on my hands, why not? He’s thinking about how he might begin when he finally drifts off.
CHAPTER 3
1
Billy Summers once more sits in the hotel lobby, waiting for his ride.
It’s Monday noon. His suitcase and laptop case are beside his chair and he’s reading another comic book, this one called
At four minutes past twelve, Frank Macintosh and Paulie Logan enter the lobby dressed in their suits. There are handshakes all around. Frank’s pompadour appears to have had an oil change.
‘Need to check out?’
‘Taken care of.’
‘Then let’s go.’
Billy tucks his
‘Nah, nah,’ Frankie says. ‘Let Paulie. He needs the exercise.’
Paulie holds his middle finger against his tie like a clip, but he takes the bag. They go out to the car. Frank drives, Paulie sits in back. They drive to Midwood and the little yellow house. Billy looks at the balding lawn and thinks he’ll water it. If there’s no hose, he’ll buy one. There’s a car in the driveway, a subcompact Toyota that looks a few years old, but with Toyotas, who can really tell?
‘Mine?’
‘Yours,’ Frank says. ‘Not much, but your agent keeps you on a tight budget, I guess.’
Paulie puts Billy’s suitcase down on the porch, takes an envelope from his jacket pocket, removes a keyring, unlocks the door. He puts the keys back in the envelope and hands it to Billy. Written on the front is
‘Car keys are on the kitchen table,’ Frank says. He holds out his hand again, so this is goodbye. That’s okay with Billy.
‘Shake her easy,’ Paulie says.
Less than sixty seconds later they’re gone, presumably back to the McMansion with the endlessly peeing cherub in the gigantic front yard.
2
Billy goes upstairs to the master bedroom and opens his suitcase on a double bed that looks freshly made. When he opens the closet to put things away, he sees it’s already loaded with shirts, a couple of sweaters, a hoodie, and two pairs of dress pants. There’s a new pair of running shoes on the floor. All the sizes look right. In the dresser he finds socks, underwear, T-shirts, Wrangler jeans. He fills up the one empty drawer with his own stuff. There’s not much. He thought he’d be buying more clothes at the Walmart he saw down the way, but it seems like that won’t be necessary.
He goes down to the kitchen. The Toyota keys are on the table beside an engraved card that says KENNETH HOFF and ENTREPRENEUR. Entrepreneur, Billy thinks. There’s a word for you. He turns the card over and sees a brief note in the same hand as on the envelope containing the housekeys: