Читаем Billy Summers полностью

Then, boom! From up the street behind the Sunspot Café. There are screams. Wilson turns his magic eye in that direction to show fleeing pedestrians (Andrea Braddock among them, there’s no way to miss that red dress) and the smoke billowing out from between the Sunspot and the neighboring travel agency. Andrea starts to come back – Billy has to give her points for that – and then the second flashpot goes off. She cringes, whirls in that direction, takes a look, then jogs back to her first position. Her hair is disheveled, her mic pack is hanging by its cord, and she’s out of breath.

‘Explosions,’ she says. ‘And someone has been shot.’ She gulps. ‘Joel Allen, who was to be arraigned for the murder of James Houghton, has been shot on the courthouse steps!’

Everything she’s got to say from then on will be anticlimactic, so Billy zaps off the TV. By tonight there will be interviews on Evergreen Street with people he knew in his Dave Lockridge life. He doesn’t want to see those. Jamal and Corinne won’t allow cameras anywhere near the kids, but Jamal and Corinne would be bad enough. And the Fazios. The Petersons. Even Jane Kellogg, the boozy widow from down the street. Their anger would be bad, their hurt and bewilderment worse. They’ll say they thought he was okay. They’ll say they thought he was nice, and is it shame he’s feeling?

‘Sure,’ he tells his empty apartment. ‘Better than nothing.’

Will it help if Shan and Derek and the other kids find out that their Monopoly buddy shot a bad guy? It would be nice to think so, but then there’s the fact that their Monopoly buddy shot the bad guy from cover. And in the back of the head.

2

He calls Bucky Hanson and gets voicemail. It’s what Billy expects, because when UNKNOWN CALLER comes up on his screen (Bucky knows better than to put Dalton Smith in his contacts), Bucky won’t answer even if he’s there and thinks it’s his client calling from a hick town in the border south.

‘Call me back,’ Billy tells Bucky’s voicemail. ‘ASAP.’

He paces the shotgun-style apartment, phone in hand. It rings less than a minute later. Bucky doesn’t waste time, and he doesn’t use names. Neither of them do. It’s an ingrained precaution, even if Bucky’s phone is secure and Billy’s is clean.

‘He wants to know where you are and what the hell happened.’

‘I did the job, that’s what happened. He only needs to turn on the TV to see that.’ Billy touches one of his back pockets with his free hand and feels a Dave Lockridge shopping list there. He has a tendency to forget them after he’s finished Krogering.

‘He says there was a plan. It was all set up.’

‘I’m pretty sure a set-up is what it was.’

There’s silence as Bucky chews this over. He’s been in the brokerage business for a long time, never been caught, and he’s not dumb. At last he says, ‘How sure?’

‘I’ll know one way or another when the man pays the balance. Or when he doesn’t. Has he?’

‘Give me a break. This thing only went down a couple of hours ago.’

Billy glances at the clock on the kitchen wall. ‘More like three, and how long does it take to transfer money? We’re living in the computer age, in case you forgot. Check for me.’

‘Wait one.’ Billy hears clicking computer keys twelve hundred miles north of his basement apartment. Then Bucky comes back. ‘Nothing yet. Want me to get in touch? I’ve got an email cutout. Probably goes to his fat sidekick.’

Billy thinks of Ken Hoff, looking desperate and smelling of mid-morning booze. A loose end. And he, Billy Summers, is another.

‘You still there?’ Bucky asks.

‘Wait until three or so, then check again.’

‘And if it’s still not there, do I email then?’

Bucky has a right to ask. A hundred and fifty thousand of Billy’s million-five payday belongs to Bucky. A very nice bundle, and tax free, but there’s a drawback. You can’t spend money if you’re dead.

‘Do you have family?’ In all the years he’s worked with Bucky, this is a question Billy has never asked. Hell, it’s been five years since he was face to face with the man. Their relationship has been strictly biz.

Bucky doesn’t seem surprised at the change of subject. This is because he knows the subject hasn’t changed. He’s the one link between Billy Summers and Dalton Smith. ‘Two ex-wives, no kids. I parted company with the last ex twelve years ago. Sometimes she sends me a postcard.’

‘I think you need to get out of the city. I think you need to catch a cab to Newark Airport as soon as you hang up.’

‘Thanks for the advice.’ Bucky doesn’t sound mad. He sounds resigned. ‘Not to mention for royally fucking up my life.’

‘I’ll make it worth your while. The man owes me one-point-five. I’ll see you get the one.’

This time Billy reads the silence as surprise. Then Bucky says, ‘Are you sure you mean that?’

‘I do.’ He does. He feels tempted to promise Bucky the whole fucking thing, because he no longer wants it.

Перейти на страницу:

Похожие книги

Циклоп и нимфа
Циклоп и нимфа

Эти преступления произошли в городе Бронницы с разницей в полторы сотни лет…В старые времена острая сабля лишила жизни прекрасных любовников – Меланью и Макара, барыню и ее крепостного актера… Двойное убийство расследуют мировой посредник Александр Пушкин, сын поэта, и его друг – помещик Клавдий Мамонтов.В наше время от яда скончался Савва Псалтырников – крупный чиновник, сумевший нажить огромное состояние, построить имение, приобрести за границей недвижимость и открыть счета. И не успевший перевести все это на сына… По просьбе начальника полиции негласное расследование ведут Екатерина Петровская, криминальный обозреватель пресс-центра ГУВД, и Клавдий Мамонтов – потомок того самого помещика и полного тезки.Что двигало преступниками – корысть, месть, страсть? И есть ли связь между современным отравлением и убийством полуторавековой давности?..

Татьяна Юрьевна Степанова

Детективы
Афганец. Лучшие романы о воинах-интернационалистах
Афганец. Лучшие романы о воинах-интернационалистах

Кто такие «афганцы»? Пушечное мясо, офицеры и солдаты, брошенные из застоявшегося полусонного мира в мясорубку войны. Они выполняют некий загадочный «интернациональный долг», они идут под пули, пытаются выжить, проклинают свою работу, но снова и снова неудержимо рвутся в бой. Они безоглядно идут туда, где рыжими волнами застыла раскаленная пыль, где змеиным клубком сплетаются следы танковых траков, где в клочья рвется и горит металл, где окровавленными бинтами, словно цветущими маками, можно устлать поле и все человеческие достоинства и пороки разложены, как по полочкам… В этой книге нет вымысла, здесь ярко и жестоко запечатлена вся правда об Афганской войне — этой горькой странице нашей истории. Каждая строка повествования выстрадана, все действующие лица реальны. Кому-то из них суждено было погибнуть, а кому-то вернуться…

Андрей Михайлович Дышев

Проза / Проза о войне / Боевики / Военная проза / Детективы