BioShock Rapture

Between the big tableaus, animatronic Ryans appeared, lecturing, hectoring—warning the child about the horrors of the surface world.

As the ride ended he heard Cohen’s song, “Rise, Rapture, Rise,” playing …

Oh rise, Rapture, rise!We turn our hopes up to the skies!Oh rise, Rapture, rise!Upon your wings our dreams will fly.A city in the ocean’s deepA promise that we’ll always keepTo boldly turn our eyes upon the prize!So rise, rise, rise!Oh rise, Rapture, rise!We merrily sing this reprise.Oh rise, Rapture, rise!To help us crush parasites despised …

Bill sighed. He was going to do whatever he could to keep Elaine away from here. She wouldn’t understand. She already had her doubts about Rapture, and this would only deepen them. Whatever happened, they were committed to Rapture and Andrew Ryan. Weren’t they?

Dionysus Park, Rapture

1954

“How can a house divided stand, Simon?” Sofia Lamb asked gently as they sat in the sculpture garden of Dionysus Park. Simon Wales sat beside her on the carved coral bench, smoking a pipe, seeming troubled; Margie and several of Sofia’s other followers were scattering fish-gut fertilizer around the plants at the other end of the park’s gallery of sculptures. Across from them was an example of “unconscious art,” a sculpture by one of her followers showing a squirming octopus—but the creature had a human face that was oddly like Andrew Ryan’s. “Rapture is designed for conflict, for competition—but can this marvel of a community survive that division, bottled up down here? We need unity to make Rapture thrive! And that means a communal concept, not a competitive one…”

Simon glanced around nervously. “Really, you shouldn’t use those kinds of … well, Ryan would regard that as red propaganda … Could be dangerous. They’re building a new detention center, and I have a feeling Ryan might want it for, ah, people who talk about undermining his master vision…”

Sofia shrugged. “If I must go to prison—so be it. The people need me! More are coming every day, Simon! The vision of wholeness is taking hold! Rapture must be a single society—not some schizophrenic social organism forever wrestling with itself. Look at what’s been happening—people forced into prostitution, living on top of one another. How is that better than the surface world?”

“If he suspects what you’re up to…”

She chuckled. “He’s convinced I’m on his team. I advised him on how to set up that little child-training amusement park … it’s absurd, really; I doubt if it does anything but frighten children, but he believes it’ll train them to accept Rapture. I gave him an edited report on all my…” She glanced at him. “I can trust you, can’t I, Simon?”

He looked at her with a stunned expression and swallowed hard. “But—of course! How could you doubt it? You know how I feel…”

“Mommy, look!” Eleanor said pipingly. Sofia glanced over to see her small daughter, just three years old, in her pink pinafore, dragging one of the audiodiaries behind her. “I’m going to play with the Mr. Diary you gave me!”

Sofia nodded. “Wonderful, my love!”

His voice lowered, Simon asked, “Don’t you think it’s time she had some contact with other children, Doctor?”

“Hm? No. No, they’re under the influence of the poisonous paradigm of Andrew Ryan. I will keep her right here, train her in safe isolation—make her a paragon of the society to come…”

“And—” He cleared his throat. “What happened to her father?”

“Ah, as to that—it’s a private matter.”

Eleanor was sitting in the grass, talking to the tape recorder as if it were a friend; she clutched a small screwdriver in her hand. “Hello, Mr. Diary. Want to play?” She mimicked its voice: “‘Actually, I’m quite busy right now, Miss Eleanor. Maybe later.’ Well, all right! But do you mind if I take you apart while I wait? I promise I’ll put you back together! ‘Wait! You can’t do thaaaat … noooo … waaaaiiiit, wait Eleaaanoooorrrr…’”

And to Sofia’s surprise, Eleanor commenced stabbing at the tape recorder, breaking it apart with the screwdriver …

10

Laboratory Complex

1954

“Some plasmid effects proved to be more difficult than we expected,” Brigid Tenenbaum said, leading Fontaine down the hallway.

Suchong was leaning out an open door, gesturing for them to come. “Suchong is ready now for demonstration!”

Feeling a bit sick inside but determined to see this through, Fontaine followed Tenenbaum to the lab’s experimentation room.

As they entered, Fontaine saw it was the same experimental subject as last time, the fellow Brougham. But now he was awake—though not entirely awake. His eyes were open and flicking about.