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“Are you sure that’s not hematomae?” I asked her.

“Blow me,” she said. “And if you’ve got a good lawyer, you can make her pay for being such a wimp.” Some hair had escaped from her Rehab Gestapo ponytail and she blew it back from her forehead. “She ought to pay for it. Read my lips, Edgar, none of this is your fault.”

“She says I tried to choke her.”

“And if so, being choked by a one-armed invalid must have been very upsetting. Come on, Eddie, make her pay. I’m sure I’m stepping way out of my place, but I don’t care. She should not be doing what she’s doing. Make her pay.”

Not long after I relocated to the place on Lake Phalen, the girls came to see me — the young women. They brought a picnic hamper and we sat on the piney-smelling lakeporch and looked out at the water and nibbled at the sandwiches. It was past Labor Day by then, most of the floating toys put away for another year. There was also a bottle of wine in the hamper, but I only drank a little. On top of the pain medication, alcohol hit me hard; a single glass could turn me into a slurring drunk. The girls — the young women — finished the rest between them, and it loosened them up. Melissa, back from France for the second time since my unfortunate argument with the crane and not happy about it, asked me if all adults in their fifties had these unpleasant regressive interludes, did she have that to look forward to. Ilse, the younger, began to cry, leaned against me, and asked why it couldn’t be like it was, why couldn’t we — meaning her mother and me — be like we were.

Lissa’s temper and Ilse’s tears weren’t exactly pleasant, but at least they were honest, and I recognized both reactions from all the years the girls had spent growing up in the house where I lived with them; those responses were as familiar to me as the mole on Ilse’s chin or the faint vertical frown-line, which in time would deepen into a groove like her mother’s, between Lissa’s eyes.

Lissa wanted to know what I was going to do. I told her I didn’t know, and in a way that was true. I’d come a long distance toward deciding to end my own life, but I knew that if I did it, it must absolutely look like an accident. I would not leave these two, just starting out in their lives with nothing but fresh tickets on their belts, carrying the residual guilt of their father’s suicide. Nor would I leave a load of guilt behind for the woman with whom I had once shared a milkshake in bed, both of us naked and laughing and listening to the Plastic Ono Band on the stereo.

After they’d had a chance to vent — after a full and complete exchange of feelings, in Kamen-speak — things calmed down, and my memory is that we actually had a pleasant afternoon, looking at old photo albums Ilse found in a drawer and reminiscing about the past. I think we even laughed a time or two, but not all memories of my other life are to be trusted. Kamen says when it comes to the past, we all stack the deck.

Maybe si, maybe no.

Speaking of Kamen, he was my next visitor at Casa Phalen. Three days later, this would have been. Or maybe six. Like many other aspects of my memory during those post-accident months, my time-sense was pretty much hors de fucky. I didn’t invite him; I had my rehabilitation dominatrix to thank for that.

Although surely no more than forty, Xander Kamen walked like a much older man and wheezed even when he sat, peering at the world through thick glasses and over an enormous pear of a belly. He was very tall and very Afro-American, with features carved so large they seemed unreal. Those great staring eyeballs, that ship’s figurehead of a nose, and those totemic lips were awe-inspiring. Kamen looked like a minor god in a suit from Men’s Wearhouse. He also looked like a prime candidate for a fatal heart attack or stroke before his fiftieth birthday.

He refused my offer of coffee or a Coke, said he couldn’t stay, then put his briefcase aside on the couch as if to contradict that. He sat sunk full fathom five beside the couch’s armrest (and going deeper all the time — I feared for the thing’s springs), looking at me and wheezing benignly.

“What brings you out this way?” I asked him.

“Oh, Kathi tells me you’re planning to off yourself,” he said. It was the tone he might have used to say Kathi tells me you’re having a lawn party and there are fresh Krispy Kremes on offer. “Any truth to that?”

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика