Two months since the stars fell...Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown. Two months of silence, while a world holds its breath.Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet?You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and the fainter one she'll do any good if she is. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find.But you'd give anything for that to be true, if you only knew what was waiting for them...
Научная Фантастика18+Blindsight
Peter Watts
For Lisa
If we're not in pain, we're not alive.
"This is what fascinates me most in existence: the peculiar necessity of imagining what is, in fact, real."
— Philip Gourevitch
"You will die like a dog for no good reason."
— Ernest Hemingway
"Try to touch the past. Try to deal with the past. It's not real. It's just a dream."
— Ted Bundy
It didn't start out here. Not with the scramblers or
For me, it began with Robert Paglino.
At the age of eight, he was my best and only friend. We were fellow outcasts, bound by complementary misfortune. Mine was developmental. His was genetic: an uncontrolled genotype that left him predisposed to nearsightedness, acne, and (as it later turned out) a susceptibility to narcotics. His parents had never had him optimized. Those few TwenCen relics who still believed in God also held that one shouldn't try to improve upon His handiwork. So although both of us
I arrived at the playground to find Pag the center of attention for some half-dozen kids, those lucky few in front punching him in the head, the others making do with taunts of
But I didn't know what to do.
I hadn't seen much of Pag lately. I was pretty sure he'd been avoiding me. Still, when your best friend's in trouble you help out, right? Even if the odds are impossible—and how many eight-year-olds would go up against six bigger kids for a sandbox buddy? — at least you call for backup. Flag a sentry.
I just stood there. I didn't even especially
That didn't make sense. Even if he hadn't been my best friend, I should at least have empathized. I'd suffered less than Pag in the way of overt violence; my seizures tended to keep the other kids at a distance, scared
Or I had, once.
But that part of me had been cut out along with the bad wiring. I was still working up the algorithms to get it back, still learning by observation. Pack animals always tear apart the weaklings in their midst. Every child knows that much instinctively. Maybe I should just let that process unfold, maybe I shouldn't try to mess with nature. Then again, Pag's parents hadn't messed with nature, and look what it got them: a son curled up in the dirt while a bunch of engineered superboys kicked in his ribs.
In the end, propaganda worked where empathy failed. Back then I didn't so much think as observe, didn't deduce so much as
So I picked up a rock the size of my fist and hit two of Pag's assailants across the backs of their heads before anyone even knew I was in the game.
A third, turning to face the new threat, took a blow to the face that audibly crunched the bones of his cheek. I remember wondering why I didn't take any satisfaction from that sound, why it meant nothing beyond the fact I had one less opponent to worry about.
The rest of them ran at the sight of blood. One of the braver promised me I was dead, shouted "
Three decades it took, to see the irony in that remark.
Two of the enemy twitched at my feet. I kicked one in the head until it stopped moving, turned to the other. Something grabbed my arm and I swung without thinking, without
"Oh," I said. "Sorry."
One thing lay motionless. The other moaned and held its head and curled up in a ball.
"Oh
I thought of something to say. "You all right?"