Boston Noir

They settled over by the Museum of Science, and he explored the music clubs-the Dise and T.T. the Bear’s, mostly. He went to shows at the Orpheum, where he had opened for Jesse Colin Young long ago, and concerts at the colleges and at Berklee, roaming by himself while Maya prepared for her lectures. A few musicians he worked with in the ’80s played the Garden, and he walked over, hunched and shivering in a biting wind as he crossed the Charles. Backstage, hugs all around and “What are you up to?” “You know,” he shrugged.

He called Club Passim and asked if he could do a set or two. Thank you, no.

Soon Maya said they were better suited to Beacon Hill, near where several of her colleagues lived, and she found a condo on Beacon Street, two floors in a brownstone built in 1848, the former French consulate, reasonably priced by Manhattan standards, an investment in a down market, and with space for his music room. “Your call,” he said, since he’d made only $6,200 in royalties in the previous year.

She said that she felt revitalized by the new city, that Harvard was a miracle of intelligence and discourse. She was learning, and having fun. He noticed that she no longer asked if he wanted to go back to New York. Boston was becoming her home, while he felt he’d been exiled.

With little else to do, he soundproofed an upstairs bedroom and brought in his equipment-his upright piano, his guitars, a classic Fender bass, his old reel-to-reel tape recorder, mikes and stands, cables, and silver tape. He put baffle over the windows, his old Persian rug on the floor. His platinum album went downstairs in the living room. The label had sent one to every songwriter who contributed to the Grammy-winning soundtrack album. His tender love song was performed at weddings, and even people with little interest in pop music knew the words he’d written. This went on for years, the money rolling in. Then a comedian did a version on Letterman, mugging it up as he serenaded a pig in a straw bonnet. No one took the song seriously from then on. You couldn’t listen to the original version without thinking of the comedian, his rubbery face, squealing voice, and the damned pig. In time, his publisher dropped him. Who’d sing any tune written by a man whose music was so easily ridiculed? Fortunately, they’d set aside enough money for their son to finish at Stanford. His wife had preached frugality even in his best years: before the chaos of his sudden acclaim, they’d planned on having more children. They tried even when it seemed too late.

Beacon Hill was unbearable. He couldn’t find its rhythm, couldn’t recognize the cues. He was out of place, and nothing he did made him feel any better. Daily life was a relentless series of insults and indignities. People were smug and complacent. Common courtesy didn’t exist. No one said hello or thank you or held open a door. His wife, a temperate soul, couldn’t disagree completely when he said there was something odd and off-putting about the place. A cleaner on Charles Street misplaced two of her suits for nine days and never apologized. She’d ordered a case of wine for a party at their apartment and it never arrived. “Service isn’t a priority,” she concluded. He couldn’t find plantains at the grocer’s, and the bagels sucked. No one knew what he’d done.

She loved her job, and called the neighborhood a walker’s delight-the town houses, antique shops, Acorn Street, the esplanade on the Charles, the way the sun shone when spring finally arrived. She took his arm as they crossed the Salt-and-Pepper Bridge, sailboats gliding below.

After Maya went to bed, he’d walk across to the Public Garden, his guitar and case in hand, hoping something would come to him. In Washington Square Park, he’d have drawn a crowd. Here, nobody cared. During the day, he’d slip into a T-shirt, tug on jeans, and bring a sandwich to a bench where he’d watch swans drift on the lake; nearby were flowers and nannies with cheery babies running on chubby legs. He’d smile, nod, but no one responded. In New York, he’d meet friends for lunch. He’d see people on the street. Everybody was open and welcoming. Hey, Jeff! they’d shout. Here, there was no refuge, no place to hide. He was a balloon drifting toward the high, boundless sky.

Staring at his platinum album, he saw his gaunt, ghostly reflection and was surprised to find he was still there.

“Did you hear about the baby?” Maya said, as she hung up her skirt.

He shook his head. “I didn’t go out.”

She was going to ask if he heard it on the radio, but he’d become completely disengaged. He’d even stopped streaming WNYC. “A baby is missing. Stolen.”