Longman, Timothy “Identity Cards, Ethnic Self-Perception, and Genocide in Rwanda”
, in Jane Caplan and John Torpey, eds, Documenting Individual Identity: The Development of State Practices in the Modern World (Princeton: Princeton University Press, 2000)Lyon, David The Electronic Eye: The Rise of Surveillance Society
(Minneapolis: University of Minnesota Press, 1994)Marrus, Michael The Unwanted: European Refugees in the Twentieth Century
(New York: Oxford University Press, 1985)Montale, Eugenio New Poems,
trans. G. Singh (London: Chatto & Windus, 1976)Parker, R. A. C. Chamberlain and Appeasement: British Policy and the Coming of the Second World War
(Basingstoke: Macmillan, 1993)Reale, Egidio Le r'egime des passeports et la soci'et'e des nations
(Paris: Librairie A. Rousseau, 1930)Ripka, Hubert Munich: Before and After,
trans. Ida Sindelkova and Edgar P. Young (London: Gollancz, 1939)Self, Robert Neville Chamberlain: A Biography
(Aldershot: Ashgate, 2006)Sen, Amartya Identity and Violence: The Illusion of Destiny
(London: Allen Lane, 2006)Smart, Nick Neville Chamberlain
(London: Routledge, 2010)Spotts, Frederic Hitler and the Power of Aesthetics
(Woodstock: The Overlook Press, 2003)Torpey, John The Invention of the Passport: Surveillance, Citizenship and the State
(Cambridge: Cambridge University Press, 2000)Walker Bynum Caroline, Metamorphosis and Identity
(New York: Zone Books, 2001)Weber, Therese The Language of Paper: A History of
2000 Years (Bangkok: Orchid Press, 2007)Глава 12. Осталось пять бумажек
Adburgham, Alison Shops and Shopping,
1800–1914: Where and in What Manner the Well-Dressed Englishwoman Bought Her Clothes (London: Allen & Unwin, 1981)Ashbery, John Wakefulness
(Manchester: Carcanet, 1998) Batchen, Geoffrey William Henry Fox Talbot (London: Phaidon, 2008)Behlmer, Rudy, ed. Memo from David Selznick
(New York: Viking Press, 1972)Berger, John About Looking
(New York: Pantheon Books, 1980)Berman, Patricia G. “Edvard Munch's Self-Portrait with Cigarette: Smoking and the Bohemian Persona
”, The Art Bulletin, 75:4 (December 1993)Bower, Peter “The White Art: The Importance of Interpretation in the Analysis of Paper”
, in John Slavin, et al., eds, Looking at Paper: Evidence & Interpretation Toronto: Symposium Proceedings, Royal Ontario Museum and Art Gallery of Ontario, 13–16 May 1999)Canemaker, John Paper Dreams: The Art and Artists of Disney Storyboards
(New York: Hyperion, 1999)Cave, Roderick Chinese Paper Offerings
(Hong Kong: Oxford University Press, 1998)Daves, Jessica Ready-Made Miracle: The Story of Fashion for the Millions
(London: Putnam, 1967)Davies, Hywel Fashion Designers' Sketchbooks
(London: Laurence King, 2010)De Landa, Manuel War in the Age of Intelligent Machines
(New York: Swerve, 1991)Doctorow, E. L. Homer & Langley
(New York: Random House, 2009)Dominguez, Carlos Maria The Paper House,
trans. Nick Caistor (London: Harvill Secker, 2005)Fuller, Buckminster, with Kiyoshi Kuromiya Critical Path
(New York: St Martin's Press, 1981)Holmes, Frederic Lawrence Investigative Pathways: Patterns and Stages in the Careers of Experimental Scientists
(New Haven: Yale University Press, 2004)Holmes, Frederic Lawrence, et al., eds Reworking the Bench: Research Notebooks in the History of Science
(Dordrecht: Kluwer Academic, 2003)Jessup, Harley “Graphite and Pixels: Drawing at Pixar”
, in Marc Treib, ed., Drawing/Thinking: Confronting an Electronic Age (Taylor & Francis, 2008)