Catherine the Great & Potemkin: The Imperial Love Affair

The Volga region was now one teeming peasant rebellion. The Rebellion had taken an even nastier turn: it had started as a Cossack rising. Now it became a savage class war, a regular jacquerie, meaning a slaughter of landowners by peasants, named after the rebellion in northern France in 1358. The regime faced the prospect of the millions of serfs massacring their masters. This was a threat not just to Catherine but to the very foundations of the Empire. Factory serfs, peasants and 5,000 Bashkir horsemen now followed the flag of the pretender. Serfs rose in village after village. Gangs of runaway slaves roamed the countryside. Rebel Cossacks galloped through the villages urging the serfs to rise.^*1 On 21 July, the news of the fall of Kazan reached Catherine in Petersburg. The authorities in the centre began to panic. Would Pugachev march on Moscow?³³

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The next day the Empress held an emergency Council meeting at Peterhof. She declared that she would travel directly to Moscow to rally the Empire. The Council heard this in smouldering silence. No one dared speak. The members of the Council were worried and uneasy. Catherine herself was rattled: Kazan made her seem suddenly vulnerable. Unusually for her, she showed it. Some of the magnates, especially Prince Orlov and the two Chernyshev brothers, bitterly resented Potemkin’s rise and Panin’s resurgence.

The Council was stunned by the Empress’s wish to go to Moscow. Its defeated silence reflected the depth ‘of the wordless depression’. Catherine turned to her senior minister, Nikita Panin, and asked his opinion of her idea. ‘My answer’, he wrote to his brother, General Peter Panin, ‘was that it would not only be bad but disastrous,’ because it smacked of fear at the top. Catherine passionately argued the benefits of her descent on Moscow. Potemkin backed her. The Moscow option may have been his idea because as the most old Russian among these cultured grandees, he instinctively saw Moscow as the Orthodox capital when the Motherland was in danger. Equally, he may simply have agreed with her because he was too new there to risk independence of Catherine.

The reaction of most of the Council members was almost comical: Prince Orlov refused to give an opinion at all, claiming like a child that he felt off colour, had not slept well and did not have any ideas. Kirill Razumovsky and Field-Marshal Alexander Golitsyn, a pair of ‘fools’, could not summon up a word. Zakhar Chernyshev ‘trembled between the favourites’ – Orlov and Potemkin – and managed to emit ‘half-words twice’. It was recognized that there was no one of any military weight on the Volga to co-ordinate Pugachev’s defeat: ‘a distinguished personage’ was required. But who? Orlov presumably went off to get his beauty sleep while the downhearted Council resolved nothing, other than to wait for news of the Turkish peace treaty.³⁴

Nikita Panin had an idea. After dinner, he took Potemkin aside and proposed that the ‘distinguished personage’ to save Russia was none other than his brother, General Peter Ivanovich Panin. There was something to be said for this: he was a victorious battle general with the aristocratic credentials necessary to soothe the fears of landowners. He was already in Moscow. But there was a problem with Peter Panin. He was a rude, arrogant and snobbish curmudgeon for whom the word ‘martinet’ might have been invented. Even for a Russian soldier in the eighteenth century, many of his loudly declared views were absurd: he was a pedant on the privileges of nobles and the minutiae of military etiquette and flaunted a stalwart belief that only men were qualified to be tsar. This harsh disciplinarian and spluttering tyrant was capable of appearing in the anteroom of his headquarters in a grey satin nightgown and a high French nightcap with pink ribbons.³⁵ Catherine loathed him, distrusted him politically and even had him under secret police surveillance.

So Nikita Panin, not daring to raise his brother aloud at the Council, cautiously approached Potemkin, who went straight to the Empress. She was probably furious at the very thought of it. Perhaps he persuaded her that they had little choice when they felt as if even her closest supporter were wavering. She agreed. When Nikita Panin spoke to her later, the Empress dissembled her real views and, ever the actress, graciously swore that she wanted Peter Panin to take supreme command of the Volga provinces and ‘save Moscow and the internal parts of the Empire’. Nikita Panin immediately wrote to his brother.³⁶