In his Berda headquarters, Pugachev enjoyed playing the role of tsar. Dressed in a scarlet caftan, wearing a velvet cap, and holding a scepter in one hand and a silver axe in the other, he looked down at the supplicants kneeling before him. Unable to read or write, he kept a secretary at his side and dictated his orders, which were signed, “The great sovereign, the Russian Tsar, the Emperor Peter the Third.” He would deign to write his name himself, he announced, when he had mounted his throne. Medals were struck with his likeness and inscribed “Peter III.”
Every day, he ate heavily, drank continually, and bellowed Cossack songs with his comrades. Many of these men had now become “noblemen.” Having sworn to exterminate the real nobility, Pugachev distributed titles among his close companions, naming them after the principal members of Catherine’s court. There was a Count Panin, a Count Orlov, a Count Vorontsov, a Field Marshal Count Chernyshev. These newly created grandees were decorated with medals ripped from the tunics of dead officers. They were granted future estates on the Baltic coast; some were even presented with gifts of serfs. In February 1774, Pugachev, who had abandoned his wife and three children on the Don, “married” Yustina Kuznetsova, the daughter of a Yaik Cossack, and surrounded her with a dozen Cossack maids of honor. Prayers were said daily for the emperor and for Yustina, who was addressed and treated as “Her Imperial Majesty.”
Pugachev’s lieutenants were never in doubt that the man sitting next to them, claiming to be an emperor, was in fact an illiterate Cossack, and that his so-called empress was a Cossack girl from the Urals who was not his legal wife. His real wife was on the Don, and his other, supposed wife, the usurping Empress Catherine, was in St. Petersburg. For most of his brief “reign,” both he and his intimate circle lived in overlapping worlds of reality and make-believe. No one complained about this amateur theater, and Pugachev profited from the unspoken agreement to mutual playacting. Believing that the growing momentum of the revolt permitted him everything, the illiterate Cossack could not stop himself.
His costumed make-believe was played against a backdrop of blood and terror. Pugachev’s imperial decrees, proclaiming that the nobility must be killed, unleashed a frenzy of hatred. Peasants killed landlords, their families, and their hated overseers. Serfs who had always been considered resigned, submissive to God, the tsar, and the master, now flung themselves into orgies of cruelty. Noblemen were dragged from their hiding places, flayed, burned alive, hacked to pieces, or hanged from trees. Children were mutilated and slaughtered in front of their parents. Wives were spared only long enough to be raped in front of their husbands; then they had their throats cut or were thrown into carts and carried off as prizes. Before long, Pugachev’s camp was filled with captured widows and daughters, who were distributed as booty among the rebels. Villagers who persisted in recognizing “the usurper, Catherine,” were hanged in rows; nearby ravines were filled with bodies. Desperate townspeople, not knowing what their interrogators wished to hear, gave stock answers when asked whom they considered their lawful sovereign: “Whomever you represent,” they replied.
As Pugachev’s army, swelling to a torrent, moved down the long roads, flames from landlords’ burning mansions glowed in the night, and smoke hung like curtains on the horizon. Towns and villages opened their gates to surrender. Priests hurried to meet and welcome the rebels with bread and salt. Officers of the tiny garrisons were hanged; the men were offered a choice: change sides or die.