Chainfire: Chainfire Trilogy Part 1

"For that act of creative imagination to bring about the existence of a palace, it cannot violate any of the laws of the nature of the things that are used. On the contrary, the person who imagines a grand palace with the goal of seeing it built must be intimately aware of the nature of all the things he will use in the construction. If he isn't, the palace will fall down. He must know the nature of the materials better than the man who uses them to build a simple barn. It's not a matter of wishing for something that transcends the laws of nature, but a matter of original thinking based on those laws of nature.

"I grew up in the woods around Hartland, never having seen a palace." Richard spread his arms, as if to show her the things he had seen since leaving his homeland. "Until I saw the castle at Tamarang, the Wizard's Keep and the Confessors' Palace in Aydindril, or the People's Palace in D'Hara, I never imagined that such places existed-or even that they could exist. They were beyond the scope of my thinking at the time.

"And yet, even though I never imagined that such places could be built, other men thought them up, and they were built. I think that one of the important functions of grand creations is that they inspire people."

Nicci appeared not only to be swept up in his explanation, but to be considering his words with serious interest. "Do you mean to say, then, that you think an art form can also shape such important things as the function of magic?"

Richard smiled. "Nicci, you could not grasp the importance of life until I carved the statue back in Altur'Rang. When you saw the concept in tangible form you were able at last to put together all the things you had learned throughout your life and finally grasp its meaning. An artistic creation touched your soul. That's what I mean about an important function of great works is that they inspire people.

"Because it inspired you with the beauty of life, with the nobility of man, you acted to become free-something you had never thought was possible. Because the people of Altur'Rang as well could see in that statue what could and should be, they were stirred to stand up to the tyranny crushing their lives. It was not accomplished by copying other statues, by doing what was the accepted norm for statues in the Old World of showing man as weak and ineffective, but by an idea of beauty, a vision of nobility, that shaped what I carved.

"I didn't violate the nature of the marble I used, but rather I used the nature of the stone to accomplish something different than what others routinely did with it. I studied the properties of stone, I learned how to work it, and I sought to understand what more I could do with it in order to bring about my objective. I had Victor make me the finest tools that would enable me to do the work in the way it needed to be done. In that way I brought to reality what I wanted to create, what had never been before.

"I think that magic can work this way as well. I believe that such original ideas played a part in how weapons were once created out of people. After all, when such weapons were made, they were effective in large part because they were original, because they had never been thought of or seen before. In many instances, the other side in the war then had to work to create entirely new things out of magic that were able to counter those weapons. In many cases they were able to render the weapon obsolete by creating a countermagic, and then someone on the other side immediately went to work thinking up some new horror. If using magic creatively was not possible, then how did the wizards of old create weapons with it? You can't say they simply got the knowledge from a book, or from past experience; where and how would the first such weapons have originated if not with an original idea? Someone had to have used magic creatively in the first place.

"I think that Jagang is again doing this very thing with magic. He has studied some of what was done in the great war, what weapons were created, and learned from that. He sometimes may direct that what was once created to be created again, such as with Nicholas, but in other instances I think he imagines what has never been, what goes beyond what has been done before, and has it brought to reality by those who know how to use magic to build what he wants.

"In these acts of creation it isn't the work that is the most remarkable aspect, but the idea and vision that makes the labor effective, just as carpenters and bricklayers who built houses and barns can be employed to construct a palace. It wasn't so much their labor that was remarkable in the creation of palaces, but the act of insight and creation that gave it direction."